Next book

THE FREE

A penetrating look at the power in the stories we tell ourselves but just a glancing one at the juvenile-justice system.

A Boston-area youth in juvenile detention finds redemption in stories—his and his fellow inmates’.

Car thief Isaac West just has to get through 30 days in juvie, and then he’ll be out and able to protect his beloved little sister from their appalling single mother, an alcoholic prostitute. But he doesn’t bargain on the group-therapy program that has him writing down his “crime story” and then acting it out in a process that combines story critique and reliving his most painful memories. When he’s not in therapy he hangs with the geeks in computer class, mostly so he can email his sister, which is how he almost unwittingly becomes “poems and shit” editor of the inmate newsletter, The Free. McLaughlin creates a correctional facility that’s realistically organized along gang and racial lines, with the exception of the geeks, a multiethnic crew of lovable cons. Actually, all the inmates are lovable in the end, believably victims of circumstance despite their horrifying crimes. These circumstances, despite the constant acknowledgment of race, are largely race-free however, mostly contingent on terrible parenting. Biracial, brown-skinned Isaac himself possesses a physical ambiguity he uses to avoid attention, allowing others to see him as black or Hispanic to avoid conflict. But the only acknowledgment the book makes of institutional racism is Isaac’s dismissive acceptance of an “ ‘essay’…about how racist the criminal justice system is.”

A penetrating look at the power in the stories we tell ourselves but just a glancing one at the juvenile-justice system. (afterword) (Fiction. 14-18)

Pub Date: Feb. 28, 2017

ISBN: 978-1-61695-731-5

Page Count: 288

Publisher: Soho

Review Posted Online: Dec. 25, 2016

Kirkus Reviews Issue: Jan. 15, 2017

Next book

INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

Next book

THE PARTY

A lukewarm thriller.

In England, a group of teenagers tries to stay alive when a long weekend in an abandoned castle goes wrong.

When Bessie and her friends decide to join a party their classmate Allegra is throwing in her family’s abandoned castle before it’s converted into apartments, they think the biggest issues they’ll face are making it there before a big storm hits and keeping their plans secret from their parents and teachers. Once they arrive at the castle, however, Bessie and best friend Kashvi discover menacing graffiti and evidence that someone has been staying in the cellar. They also learn that protestors from the nearby village are angry about the development plans for the castle—one of them even argues that it would be better to burn it down. A handful of classmates manage to get there before the storm gets too severe. But when the teens wake up the next day to discover one of their own dead, and the storm makes it impossible for them to leave, they quickly realize that they’re in danger. But is the killer one of the members of the Facebook protestors’ group…or one of their own? Despite the book’s intriguing setup, the prose is dominated by repetitive conversations that convey little substance. Still, readers may still find themselves propelled forward by a need to discover the identity of the murderer. The central cast is racially diverse.

A lukewarm thriller. (Thriller. 14-18)

Pub Date: Dec. 3, 2024

ISBN: 9780593704080

Page Count: 352

Publisher: Delacorte

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

Close Quickview