A page-turner for sure, but this meta romp teeters into preciousness.
Friendship and fandom turn deadly for a group of teen girls.
Quiet Mia, brash Brynn, and beautiful Summer—three 13-year-old friends living in rural Vermont—all bonded over their love of an obscure children’s fantasy book The Way Into Lovelorn. Lovelorn has a famous midsentence ending, and the girls decide to compose their own fanfiction to imagine its resolution. However, when Summer is brutally murdered, Mia and Brynn (along with their friend Owen) are wrongfully accused of the crime, propelling the teens into unfortunate infamy with the moniker The Monsters of Brickhouse Lane. Five years later, they reunite to try to catch Summer’s murderer. Alternating chapters, which jump between Mia’s and Brynn’s perspectives from when they were 13 and the present, also include snippets of metafictitious Lovelorn and bits of the girls’ fanfiction. Although many other offerings have examined the turbulent machinations of teen girls, Oliver (Ringer, 2017, etc.) nimbly navigates the obsessive and erratic bonds the girls forge; mercurial Summer vacillates from charming to malicious, bewildering the others. While the characters are deftly portrayed, the mystery meanders into contrivance and convenience. Expect readers to have much to discuss with a provocative and divisive conclusion that may frustrate those who prefer a tidy resolution. While all characters are assumed white, Brynn is a lesbian, and a secondary character is fat-positive and pansexual.
A page-turner for sure, but this meta romp teeters into preciousness. (Mystery. 14-adult)Pub Date: Oct. 2, 2018
ISBN: 978-0-06-222413-2
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: June 23, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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