Not bad as social commentary. Not that great as a story.
A mordant take on postmodern mores.
Late one night, while her boyfriend sleeps, an unnamed protagonist goes snooping through his phone. She finds no evidence that Felix has been cheating on her, but she didn’t really suspect he was, and she wouldn't have cared much if he had been. Indeed, most of what she finds is utterly anodyne—until she discovers his anonymous Instagram account. Scrolling through screen after screen of conspiracy-theory memes, she discovers that Felix has instantly become a mystery to her. She also realizes that she should definitely dump him, which she’d been thinking about doing anyway. While she’s considering the most satisfying way to do this, circumstances rob her of the opportunity and send her into a bit of an existential crisis. This results in her quitting her job as a blogger and moving from Manhattan to Berlin. One way to describe this book is as a smart, often funny critique of a culture that rewards people for turning themselves into brands and encourages the incessant consumption and creation of content—and it is that. But it’s also a novel in which the reader is stuck inside the head of one very self-absorbed woman carefully analyzing the minutiae of weeks spent endlessly crafting new personae for dating apps and trying them out on the men who respond. One’s ability to appreciate this novel will depend entirely on one’s interest in spending a whole lot of time with its narrator. Her sharpness and seeming self-awareness are engaging at first. After explaining that she finds it unappealing to abandon all reason upon falling in love, she adds, “I believe it hurts the feminist cause. And, worse, makes me look personally bad.” Eventually, though, it becomes clear that her self-awareness doesn’t make her honest; it just makes her better at presenting a curated version of herself.
Not bad as social commentary. Not that great as a story.Pub Date: Feb. 2, 2021
ISBN: 978-1-948226-92-9
Page Count: 272
Publisher: Catapult
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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