Intense summertime heat never looked this good.
Extreme weather brings life to a halt.
On a hot, steamy day in an urban environment where it’s “100 degrees, // in the shade,” a young person tries to beat the heat. After brutal temperatures force the cancellation of a basketball game, the unnamed protagonist, an adult caregiver, and their trusty dog go to the beach to get some relief. Not even shade from an umbrella or sunscreen with a high SPF can protect them from the sun’s harsh rays. As the "wind picks up" and "clouds roll in," “one raindrop” turns to a “downpour,” with relief in sight as day turns to night and the strong sun gives way to cool moonlight. Relying on a uniform color palette throughout, the mixed-media illustrations beautifully evoke the oppressive nature of summer in the city. For daytime scenes, Redniss uses a fiery red, while for nighttime scenes, she employs a cool deep blue. Bigger issues of global warming are captured in little details throughout, such as a newspaper headline trumpeting “record heat across globe” and a book on icebergs in the protagonist’s bedroom. Redniss pairs her efficacious art with spare text. Human characters have elongated limbs and torsos, further capturing the sluggish vibe of a summer day. Characters’ skin tones match the colors of the page.
Intense summertime heat never looked this good. (Picture book. 4-8)Pub Date: May 21, 2024
ISBN: 9780593645949
Page Count: 40
Publisher: Random House Studio
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
PERSPECTIVES
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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