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THE FLY WHO FLEW TO SPACE

A hero’s journey into outer space that plays fast and loose with the facts.

A quick trip into space from the point of view of, literally, a fly on the wall.

Flynn, a fly who lives in West Texas, has trouble focusing on lessons in school. Nevertheless, Flynn longs to become an astronaut and realizes a lifelong dream by buzzing into a space capsule just as it’s about to be launched. After getting a high-five from one astronaut (which in a different, more realistic story would probably have been something other than a friendly welcome) and taking a gander with another at the planet below, Flynn returns to the surface to receive an astronaut pin and to reflect on “how learning about space helps us protect our home.” Flynn, or perhaps the author, should have paid more attention to those school lessons. An astronaut wrongly claims that there’s “no gravity” in space, and the three crew members (who vary in skin tone) and their tiny stowaway apparently experience no G-forces at all on launch, since the only time it’s mentioned is upon reentry. The narrative is on the thin side and likely won't entice youngsters for rereads. In Stewart’s elaborately constructed yet murky illustrations, the Statue of Liberty, the Eiffel Tower, and other landmarks not visible from space without telescopic aid loom large, along with the Grand Canyon and others that are. Members of Flynn’s heavily anthropomorphized fly family are depicted in shades of blue and brown. The dust jacket reverses into a skinny glow-in-the-dark poster.

A hero’s journey into outer space that plays fast and loose with the facts. (Picture book. 6-8)

Pub Date: Sept. 10, 2024

ISBN: 9781685550639

Page Count: 32

Publisher: The Collective Book Studio

Review Posted Online: yesterday

Kirkus Reviews Issue: Nov. 1, 2024

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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FIELD TRIP TO THE MOON

A close encounter of the best kind.

Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.

While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.

A close encounter of the best kind. (Picture book. 6-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4253-9

Page Count: 40

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Feb. 5, 2019

Kirkus Reviews Issue: March 1, 2019

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