Strange, puzzling, yet somehow forcefully compelling.
Memoirist and psychologist Slater (Opening Skinner’s Box, 2004, etc.) explores the fairy tale.
Narrative psychotherapy, she explains in the introduction, is a technique first articulated in the 1980s. The idea is that you can do therapy through writing, not just talking. Indeed, when Slater finds her conversations with a patient stuck in small talk, she will ask him to write, which somehow helps both therapist and patient move to the next plane. She believes that fairy tales are especially useful in narrative psychotherapy; their stark images, iconic figures and deceptively simple prose allow the writer to distill. In her clinical practice, Slater has written fairy tales and asked her patients to finish or somehow play with them. She has also written fairy tales for herself, and includes 16 of them here. Some are new versions of classics; “Ruby Red,” for example, retells the story of Snow White from the perspective of her stepmother—who is really her mother and a self-described “perimenopausal bitch.” Other stories come wholly from Slater’s imagination. In one, an over-the-hill mother gives birth to Charles Darwin; in another, a depressed queen finds her way from sadness to happiness. “Defenestration” charts subtle fissures and shifts in the marriage of an unnamed man and woman. Black-and-white illustrations reminiscent of old woodcuts encourage the sense that readers are delving into a familiar yet foreign world where anything might happen. Mermaids might enroll in prep school; longed-for daughters might hatch out of eggs. The text resonates throughout with Slater’s hallmark themes: motherhood, illness, puberty, defining and holding onto whatever it is that makes you really yourself. These curious stories will not be for everyone. But those willing to follow the author into the world of forests, myths and symbols will be richly rewarded.
Strange, puzzling, yet somehow forcefully compelling.Pub Date: June 1, 2005
ISBN: 0-393-05959-6
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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