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MADNESS UNDER THE ROYAL PALMS

LOVE AND DEATH BEHIND THE GATES OF PALM BEACH

A professionally reported account, but it’s difficult to imagine an audience other than those with a pre-existing personal...

Gossipy, depressing chronicle of ossified Florida high society.

Nonfiction vet Leamer (Fantastic: the Life of Arnold Schwarzenegger, 2005, etc.) moved with his wife to Palm Beach in 1994. Long a miner of celebrity gossip for his books, he found himself sinking deeper and deeper into the snobbish, wealth-soaked milieus of both Palm Beaches—one dominated by Protestants, the other by Jews. The two sometimes meet, but only superficially and rarely without resentment. Selecting from hundreds of potential protagonists, the author settles on about a dozen, alternating their sagas with sweeping observations about what he sees as a unique social setting. Some of the story lines involve suicide, some murder. Most of the rest portray poorly matched couples of wealthy, vain old men and ambitious young women trying either to claw their way to the top of Palm Beach society or to retain their hegemony over it. The overarching theme is that egregious wealth never buys happiness, at least not for long. Leamer injects himself into the narrative frequently. He observes the gala events, sometimes as an invited guest. He becomes a confidant of certain Palm Beach queens and kings—female and male, heterosexual and homosexual, those born rich and those who have married into wealth. To his credit, he almost always uses real names and immediately informs readers when employing a pseudonym. Stars and supporting players alike are either relentlessly mean or utterly hapless. Leamer conveys the bizarre absurdity of it all, as when an exclusive club makes grudging adjustments to its rigid code regarding the physical appearance of guests in order to accommodate members’ tattoo-sporting or bodily pierced grandchildren. Required to place Band-Aids over the offending markings, “a young guest enters the dining room so swathed in bandages that she looks as if she has just left intensive care.”

A professionally reported account, but it’s difficult to imagine an audience other than those with a pre-existing personal interest in Palm Beach.

Pub Date: Feb. 1, 2009

ISBN: 978-1-4013-2291-5

Page Count: 368

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2008

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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