A butler recounts his service to an egomaniacal businessman who runs for president.
Billy Baxter’s mother runs a modest grocery store, which supports a family life he seemed to find unfulfilling from an early age. One day, Harrison Helm III, an obviously wealthy man, pulls up to the store in a luxury car looking to refill the tank and takes an interest in Billy. Harrison eventually invites Billy to come work on his mother’s vast estate, referred to as Valhalla, as a full-time footman who lives on the grounds. After years of dedicated service, Billy ascends to the position of head butler and ends up toiling at Valhalla for 22 years. He cultivates a friendly rapport with Mrs. Helm, but upon her death, he resigns his position and accepts a new one as butler for the estate’s new owner, Vincent V. Victor. Victor is a notoriously crass but extraordinarily rich businessman, and many see him as an opportunistic oligarch who represents the worst of American capitalism. The parallels between Victor and Donald Trump are clearly intended: Victor, a bestselling author of business books, creates an NBC special called The Great American Breast Contest, a hilarious spoof of the televised Miss America pageant. Reviled for his shady business tactics, he runs for president on a rhetorically bombastic platform that promises to revitalize America through trade protectionism and the cessation of illegal immigration. He circulates conspiracy theories, denounces the evils of political correctness, and runs against an opponent he mockingly refers to as “Flopping Sally.” Leamer (The Lynching, 2016, etc.) deftly charts the arc of Billy’s life from vulgar poverty to aristocratically civilized wealth to an unusual combination of the two. The principal strength of the work is the elegant first-person narration Billy provides; the entire book is presented as his memoir. Billy’s gimlet-eyed observations display remarkable restraint, typically withholding judgment, and his peculiar life experience is itself a kind of master tutorial in the nuances of American class. Despite its heavy reliance on the imitation of current affairs, this work is an impressively inventive tale, with considerable wisdom to boot. A fictional dramatization of America’s current presidential race, skillfully rendered.
Pub Date: Sept. 10, 2016
ISBN: 978-0-692-76574-6
Page Count: 320
Publisher: Foggy Bottom Books
Review Posted Online: Sept. 12, 2016
Kirkus Reviews Issue: Oct. 15, 2016
Review Program: Kirkus Indie
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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