A worthy romp that manages to teach powerful lessons as it entertains.
In this middle-grade novel, a girl coping with her mother’s death experiences a series of bizarre adventures involving a magical TV set after she moves in with her shopping-addicted grandmother.
Madison McGee, an 11-year-old tomboy with a love of the great outdoors, begins her summer mourning the sudden death of her mother from a heart attack. Madison has never known her father, and she has no guardian to turn to except her maternal grandmother, Florida Brown, a resident of the tiny town of Truth or Consequences, N.M. Florida, who cares less about her granddaughter’s tomboy interests and more about trying to pretty her up, is addicted to shopping shows on TV, filling her house with the useless, bizarre goods she orders every day. Lonely Madison finds solace in one neighbor’s sweet but neglected dog as well as an oddball woman named Rosalie Claire, who has a penchant for wise words and a fanny pack similar to Mary Poppins’ magical carpetbag. Madison’s already topsy-turvy summer gets even weirder when the MegaPix 6000 shows up at Florida’s house. This mysterious, magical television has the power to zap the viewer into whatever show he or she is currently watching, whether it be one of Florida’s shopping shows, Madison’s favorite teen sitcom or a survival-based reality show in the Amazon. Through their time in the MegaPix and in the real world, Madison and Florida end up learning a number of valuable lessons about the importance of family and accepting people’s differences, no matter how odd they might seem. Author Arnold’s debut novel, the first in a trilogy about Madison’s adventures with the MegaPix, is fun and fantastical, with wacky characters that burst off the page and into readers’ hearts. Though the plot at some points relies a bit too heavily on magic, Madison is relatable as a protagonist, which helps keep the story grounded, and its zaniness and originality should be a welcome distraction for young readers.
A worthy romp that manages to teach powerful lessons as it entertains.Pub Date: Sept. 17, 2013
ISBN: 978-1935212515
Page Count: 176
Publisher: Prospecta Press
Review Posted Online: Dec. 11, 2013
Kirkus Reviews Issue: Feb. 15, 2014
Review Program: Kirkus Indie
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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