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FAMILY HAPPINESS

An impressive step forward for an increasingly serious entertainer.

Polly Solo-Miller Demarest has all that she always expected to have: "a husband, two children, a strong family, and a month's summer holiday in Maine. Once she was married, her life had been so accomplished that all she had to do was live it. But it turned out that life was not a straight path. You woke up on the wrong side of the law with the right set of feelings."

That wrong side of the law is represented here by Lincoln Bennett, a painter with whom Polly has been having an inextricable affair—one that goes against the grain of her upbringing (among the rich, Jewish, very correct, and close Solo-Millers), of her love for lawyer-husband Henry. And, though the family is a haven and fidelity is a spine in a life that's otherwise treacherously jellied: "What did a smoothly run house, good meals, sweet children, and an admirable husband matter if you felt your heart being torn to pieces?" Such is Polly's quandary—and it's fleshed out with some of Colwin's most heartfelt prose: the mix of pain with authorial breeze and social-antenna perceptiveness is occasionally quite spectacular in terms of tone; there are fewer jokes than in Happy All the Time, though some of the comic description is inspired (an after-dinner pianist "played exclusively as background, but the expression on his face was that of an ingenious veterinarian who had quelled a room of anxious schnauzers"); and Colwin's drumming insistence on the conflict between (and complexity within) personal and family happiness gives this novel more than a little Russian flavor—Chekhovian intimacy, Tolstoyan responsibility, longueurs and passions. So, though the ruminant theme announced in the title flattens some of the feeling here (Polly's agony comes across only fitfully, the hurt and confusion muted by the author's nervously churning reflections), Colwin is to be credited for having gone beyond the mere charm of her previous work. And if the ingredients for emotional combustion never quite explode in this richly ambitious novel, they are graceful, unsimplified, very often strikingly—and fully—stated.

An impressive step forward for an increasingly serious entertainer.

Pub Date: Sept. 13, 1982

ISBN: 0-06-095897-9

Page Count: -

Publisher: Knopf

Review Posted Online: April 30, 2021

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WE ALL LIVE HERE

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

A recently divorced writer juggles a chaotic full house, a struggling career, and a confusing romantic life.

Lila Kennedy thought she had the perfect family—a loving mother, a doting stepfather, two wonderful daughters, and a great husband. She even wrote a self-help book about repairing a marriage, which was published a mere two weeks before her husband left her. After her own mother’s sudden death, Lila finds herself an unexpected single mom with her health-nut stepfather, Bill, for a roommate. When her long-absent actor father, Gene, moves in, things go from crowded to chaotic. When Gene isn’t talking about his memories of starring on a Star Trek–like television show, he’s starting fights with Bill. Perhaps the worst part is that Lila’s supposed to produce a new book about the unexpected direction her life has taken. She quickly finds that writing about her real-life romantic exploits (including the kind gardener Bill hired and the sexy single dad she lusts after at school pick-up) and the actual heartbreak that upended her family is easier said than done. Moyes creates a world that is believable and funny. It’s hilarious to read about the distinct characters in Lila’s life—such as her lentil-loving stepfather and egocentric biological father—interacting with each other. There’s plenty of drama here, but none of it feels forced. It all comes from flawed people doing their best to coexist and making plenty of mistakes along the way. Moyes combines the warmth of an Annabel Monaghan rom-com with the humanity of a Catherine Newman novel, creating a story that will provoke tears and laughter.

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

Pub Date: Feb. 11, 2025

ISBN: 9781984879325

Page Count: 464

Publisher: Pamela Dorman/Viking

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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