An impressive step forward for an increasingly serious entertainer.
Polly Solo-Miller Demarest has all that she always expected to have: "a husband, two children, a strong family, and a month's summer holiday in Maine. Once she was married, her life had been so accomplished that all she had to do was live it. But it turned out that life was not a straight path. You woke up on the wrong side of the law with the right set of feelings."
That wrong side of the law is represented here by Lincoln Bennett, a painter with whom Polly has been having an inextricable affair—one that goes against the grain of her upbringing (among the rich, Jewish, very correct, and close Solo-Millers), of her love for lawyer-husband Henry. And, though the family is a haven and fidelity is a spine in a life that's otherwise treacherously jellied: "What did a smoothly run house, good meals, sweet children, and an admirable husband matter if you felt your heart being torn to pieces?" Such is Polly's quandary—and it's fleshed out with some of Colwin's most heartfelt prose: the mix of pain with authorial breeze and social-antenna perceptiveness is occasionally quite spectacular in terms of tone; there are fewer jokes than in Happy All the Time, though some of the comic description is inspired (an after-dinner pianist "played exclusively as background, but the expression on his face was that of an ingenious veterinarian who had quelled a room of anxious schnauzers"); and Colwin's drumming insistence on the conflict between (and complexity within) personal and family happiness gives this novel more than a little Russian flavor—Chekhovian intimacy, Tolstoyan responsibility, longueurs and passions. So, though the ruminant theme announced in the title flattens some of the feeling here (Polly's agony comes across only fitfully, the hurt and confusion muted by the author's nervously churning reflections), Colwin is to be credited for having gone beyond the mere charm of her previous work. And if the ingredients for emotional combustion never quite explode in this richly ambitious novel, they are graceful, unsimplified, very often strikingly—and fully—stated.
An impressive step forward for an increasingly serious entertainer.Pub Date: Sept. 13, 1982
ISBN: 0-06-095897-9
Page Count: -
Publisher: Knopf
Review Posted Online: April 30, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
