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THE IRON FLOWER

From the Black Witch Chronicles series , Vol. 2

Though imperfect, the novel warns, “Power changes everything”; those intrigued by Elloren’s desire to halt “the normal cycle...

Thoroughly committed to the anti-Gardnerian Resistance, aspiring apothecary Elloren Gardner also struggles with the question of committing to a man—and if so, which one?

As Gardneria tightens its fist around nominally independent Verpacia, Elloren’s cell weighs its options. Refuge in the Noi lands to the east beckons, but there is still work to be done in Verpax City—including mining Gardnerian Cmdr. Lukas Grey’s obvious attraction to Elloren for information. She’s attracted too, but that’s nothing compared to what she feels for Kelt and fellow Resistance member Yvan. Much happens over the course of this sequel: horrific Gardnerian mob violence; a trip to impoverished Keltania; a delegation to the all-female Amaz; and more. Despite this, the narrative arc feels flat, as Elloren accomplished much of her character growth previously. Forest piles trope on trope, encouraging readers to make associations with real-world history (Gardneria evokes Nazi Germany), but the associations are not firm (the Gardneria/Keltania relationship can be read as a cognate to modern Israel and Palestine), causing readers to constantly reassess them. Readers who loved the first book will find Forest’s consciousness of the dynamics of allyship further raised. Elloren rescued a Selkie named Marina from sexual slavery in the first book, The Black Witch (2017); here, after she facilitates a deal with the Amaz to free all similarly enslaved Selkies, Marina and the Amaz accomplish the deed with ruthless efficiency while Elloren waits. Once Marina is reunited with her skin, she is dangerously bad-ass. Those who hated the first book will find more to dislike: Repellently, the reason Selkies in sexual bondage do not fall pregnant—because love is not involved—is reminiscent of former U.S. Rep.Todd Akin's (R-Missouri) obtuse theory about rape rarely resulting in pregnancy: “If it’s legitimate rape, the female body has ways to try to shut that whole thing down."

Though imperfect, the novel warns, “Power changes everything”; those intrigued by Elloren’s desire to halt “the normal cycle of history” may wonder how this might change in Volume 3. (map) (Fantasy. 14-adult)

Pub Date: Sept. 18, 2018

ISBN: 978-1-335-91739-3

Page Count: 608

Publisher: Harlequin Teen

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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