Full of warmth, humor, and sound advice.
A very unusual, and very Frankel, adoption story.
Fans of Frankel, author of the groundbreaking trans-parenting novel This Is How It Always Is (2017), will feel at home from the earliest sentences of her latest, to wit: "Whereas for Fig's mother it all began, quite a bit after the birth of the universe, with Guys and Dolls." Fig's mother, in this case, is India Allwood, whom we meet in 1998 as she gets the lead in her high school's production of Guys and Dolls, the beginning of extremely illustrious careers in both acting and, it turns out, motherhood, the latter eventually defined as "solving impossible-to-solve problems while also experiencing deep crises of faith while also being kind of annoyed while also never getting enough rest." See—Frankel's back! Without giving away too much of her dizzying plot, which is supercharged with cliffhanger chapter endings and parallel reveals, the novel is dedicated to the premise that not every adoption story is one of trauma—a position publicly advocated by the eventually world-famous actress India Allwood, who gets herself in big trouble with her proclamations, and also by Frankel in an author's note. Along the way we will enjoy many fine young characters (Kevin Wilson fans who haven't yet tried Frankel should) and classic Frankelisms: "One of her mother’s life theories was any argument had to have two buts. One objection wasn’t going to convince anyone." "When she started breathing again, India wondered if it was possible to refall in love with someone based on parenthesis usage alone." For all the narrative hijinks it's these pithy formulations and nuggets of life wisdom that are the real draw. As India tells Bex, the daughter she gave up in high school, now back in her life trying to save her from her own public relations mistakes: “Regardless of how they get made, family is a force to be reckoned with.”
Full of warmth, humor, and sound advice.Pub Date: Jan. 23, 2024
ISBN: 9781250236807
Page Count: 400
Publisher: Henry Holt
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
PERSPECTIVES
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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