Despite Janey’s self-important mini-lectures tying her story to narrative theory, Frankel offers no more than a shallow,...
Frankel explores the boundaries of family in her first novel, about three young women in Seattle who share the experience of motherhood when one becomes pregnant.
Narrator Janey, a nice Jewish girl from Canada, meets vegetarian Jill and devoutly Mormon Katie while they are all grad students in English lit. When Jill becomes pregnant, she realizes she wants to keep the baby, but her much younger boyfriend Dan, who is only now about to graduate from college, balks. So Janey and Katie happily agree to help Jill raise the baby, and all move in together. Soon baby Atlas arrives. The girls set up a complicated schedule of childcare, teaching and preparing for their dissertations. Janey’s solipsistic account of their travails may not sound very difficult or dramatic to anyone who has actually been a mother and/or held a job. Janey cooks, Jill cleans, Katie shops. Their happily coupled gay friends Jason and Lucas become adjunct members of the extended family—Katie loves them even if her religion doesn’t—along with Jill’s loving single mother Diane and Janey’s even more loving parents and grandmother. Katie has a couple of dates with a charming history grad student named Ethan, but he won’t convert to Mormonism. Not to worry. Soon she meets 21-year-old Mormon Peter (no surprise that these remarkably innocent girls like younger men) and becomes engaged within a week, while the growing friendship between Janey and Ethan vibrates with definite romantic tension—although sex in this novel is of the kissy/cuddly variety and Janey has no personality. Then Dan reappears in Jill’s life and things fall apart. Atlas ends up in the emergency room. Janey and Jill have a major falling out, and Jill moves with Atlas to Dan’s. Has the shared mothering experiment failed? The death of Janey’s grandmother, while sad, unites friends and lovers. After all, everyone’s intentions are good.
Despite Janey’s self-important mini-lectures tying her story to narrative theory, Frankel offers no more than a shallow, feel-good weepy.Pub Date: Aug. 1, 2010
ISBN: 978-0-312-59538-8
Page Count: 336
Publisher: St. Martin's
Review Posted Online: June 2, 2010
Kirkus Reviews Issue: June 15, 2010
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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