by Laurie Friedman ; illustrated by Kathryn Durst ‧ RELEASE DATE: Sept. 1, 2017
A readable, mildly amusing story, but the message is obvious and the motivation is lacking.
A family with the last name of Christmas celebrates the holiday in over-the-top style, but their daughter Mary is less than enthusiastic.
The family’s Christmas tree is far too large, they have massive piles of gifts, and their house has so many lights that power to their neighborhood is interrupted. Mary wishes her family’s Christmas were not so lavish, and she tells the department-store Santa all about it. Santa advises her that she needs to find some way to love Christmas herself. On Christmas morning, Mary convinces her family to change their ways, and they pack up their tree, presents, and lights, tying everything on top of their van in comical fashion. They invite everyone in town to a Christmas party, and the community works together to set everything up in a park for a celebration on Christmas night. The story has an obvious message, that excess at Christmas can spoil the holiday, though Santa doesn’t agree with that. There isn’t much underlying motive for Mary’s attitude (it doesn’t seem to be rooted in her name) nor explanation of why her family celebrates to such excess and then abruptly changes. Cartoon-style illustrations in bold colors create a busy, humorous effect with a huge cast of background characters of many ages and ethnicities. The Christmas family and Santa are white.
A readable, mildly amusing story, but the message is obvious and the motivation is lacking. (Picture book. 4-7)Pub Date: Sept. 1, 2017
ISBN: 978-1-4677-9261-5
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Christina Perri ; illustrated by Joy Hwang Ruiz ‧ RELEASE DATE: April 1, 2025
A sweet notion that falls flat.
A hit song reimagined as a book about parental love.
Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.
A sweet notion that falls flat. (Picture book. 4-7)Pub Date: April 1, 2025
ISBN: 9780593622599
Page Count: 32
Publisher: Viking
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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