Uneven, forced humorous essays on mundane topics.
Comic and essayist Notaro (The Potty Mouth at the Table, 2013 etc.) is back with another round of commentaries on her semiscattered life.
Whether she's depicting her childhood dumpster-diving for her grandfather, who displayed the weird items she found in the backyard, sharing her Nana's recipes for meatballs, gravy, and vodka sauce, or complaining about the pronunciations used in a cheese-making class, the author attempts to find humor in everything—even things that aren't funny. She discusses raising chickens in the backyard, the demise of the Twinkie, making jerky treats for her dog, being overweight (“So. The Fat Talk. We were having the Fat Talk. In a doctor’s office because my doctor was too chicken shit to call me fat to my face. Instead, he sent his formerly fat nurse to break the news to me that I was chubby”), and basically anything else that has happened to her, to someone she knows, or even to complete strangers. Occasionally, the author hits the mark, as in her title essay, in which she chronicles her attempts to work her way through a clear-the-clutter-toward-a-better-and-more-spiritual-life book. Regarding her attempts to cull her collection of books: “But when I got to the part where she talks about throwing away books that hadn't been read, I had enough and closed the book. Those words are nothing short than the rantings of a lunatic. Madness….Tossing books you've never read is not just a sin, it's a crime, one worthy of capital punishment. Frankly, if I walk into your house and you don't have 200 books in there somewhere that you haven't read yet, I don't trust you." Overall, the laugh track is turned up too high for comfort, with the effects being pushed on readers without much subtlety. But for those who like trite, in-your-face sitcom humor, this will appeal.
Uneven, forced humorous essays on mundane topics.Pub Date: July 12, 2016
ISBN: 978-1-101-88608-3
Page Count: 288
Publisher: Ballantine
Review Posted Online: April 18, 2016
Kirkus Reviews Issue: May 15, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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