Some pieces focus on the trials and tribulations of being the author. These include falling tragically in love with a shirt...
Former humor columnist Notaro (Spooky Little Girl, 2010, etc.) gathers observations on the odds and ends of her transplanted life in a series of quirky domestic vignettes.
Some pieces focus on the trials and tribulations of being the author. These include falling tragically in love with a shirt for which she was “the wrong size, wrong age, and had the wrong wallet”; living with a pill-popping alter ego named “Ambien Laurie” who would ritually—and, unbeknownst to the waking Laurie—gorge on snack foods and go on midnight online shoe-shopping binges; and dealing with a frank dislike of being hugged or touched. Other stories focus on the foibles of her equally neurotic family. In one, Notaro pokes fun at her mother’s e-mail forwards that “in e-mail code mean[t] ‘Forecasting World Destruction’.” In another essay, the author describes how in her mother and father’s cheerfully dysfunctional home, parents are parents, children are children and no one is safe from character assault. A few pieces more directly deal with Notaro’s attempts at coming to terms with Eugene, Ore., her new home, a city she sees as overrun by hippies, swingers, vegans and justice-seeking plant fairies who, “in the dead of night…delicately placed to deep green shrubs with brilliant red berries on either side of [her] door” to make up for the loss of two azaleas stolen by unrepentant tree thieves. Though clearly intended as funny, the book elicits only occasional laughter for the odd twists and turns the stories tend to take rather than for the actual subject matter.Pub Date: Aug. 1, 2011
ISBN: 978-0-345-51099-0
Page Count: 240
Publisher: Villard
Review Posted Online: June 20, 2011
Kirkus Reviews Issue: June 15, 2011
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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