Contrived zaniness, short on plot and character.
In this fiction debut from Notaro (Autobiography of a Fat Bride, 2003, etc.), a quirky freelance writer from Arizona relocates to Spaulding, Wash., with her professor husband and enters the local “Sewer Pipe Queen” pageant to make friends.
It does not take long after arriving in her new town for Maye to realize she is not in Phoenix anymore. A lovely, liberal enclave with draconian recycling laws, cops hooked on organic donuts and a fitness-minded mailman who jogs his route, Spaulding is also, she realizes, difficult to penetrate for a newcomer who works from home. Friendly and full of good intentions, the chubby writer initially blows it with her husband Charlie’s colleagues after accidentally exposing herself at a party at the Dean’s house. Her subsequent efforts to meet people go awry as well. There is the band of wiccans who want to bathe her, a militant vegetarian who exiles her from his club after he catches her tucking into a juicy steak and a seemingly normal bookstore clerk who goes nuts after one glass of wine too many. Then Maye finds out about the Sewer Pipe Queen. An odd competition where “talent” and originality matter more than beauty, Maye decides that winning will boost her reputation, but only if she can find a former queen to sponsor her. Using her reporting skills, she tracks down the long-lost legendary queen of all Sewer Pipe Queens—Ruby Spicer. Now a crazy old bat raising dogs on the outskirts of town, the hard drinking Ruby is, to say the least, not a traditional mentor. But the two woman bond, with Maye helping to uncover the sad truth as to why Ruby left town. Ruby in turn coaches Maye on a showstopper of an act, in which Maye dances and lip-syncs to an 80s-era Pat Benatar song, accompanied on piano by her Australian Sheepdog Mickey. Really. The book has funny gags, but it feels more like a collection of silly situations that a cohesive novel.
Contrived zaniness, short on plot and character.Pub Date: May 29, 2007
ISBN: 1-4000-6501-1
Page Count: 304
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2007
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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