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MARY GEORGE OF ALLNORTHOVER

While many will appreciate Greenlaw’s intimate portrayal of Mary’s life, the focus here is diffused by less-clearly-realized...

A teenaged girl’s coming of age and the return of a small-town madman make for strange but not altogether unwelcome bedfellows in this affecting debut.

Camptown is a nowhere English city described by poet Greenlaw as “awkward and diminished.” It’s the kind of place that has plenty of history—dating back to the Roman occupation—but none of it is especially interesting. As unassuming as it is, however, it’s where 17-year-old Mary George, from the small nearby village of Allnorthover, spends most of her time. Mary seems more awkward than she is—with a ragged, boyish haircut, glasses, and clunky outfits—and her interesting mixture of adolescent confusion and remarkably resilient spirit make her an engaging protagonist for a story without much of a narrative center. The outside element used to prod things along is the return to town of Tom Hepple, a lifelong lunatic. Walking by the reservoir that now covers his old family home, Tom is convinced that he sees Mary George walking on the water. Even though the townspeople dismiss any worries about his potential for violence, Mary’s mother recognizes the critical part of his personality right away: “He was a force, a hurricane, sweeping things up, breaking down doors, sucking people in and under.” Tom’s attempts to readjust to Allnorthover life, though, are put on the back burner by the author, who devotes many of her words to rich descriptions of Mary’s episodic, mostly rudderless life: smoking dope with her best friend Billy, hanging out at the record store, attempting to dye her clothes black (a stunt that comically backfires), and fumbling toward a relationship with a boy named Daniel. The ’70s setting is richly evoked, with the threat of energy and water shortages looming over daily events and the raw, slashing sounds of punk rock cutting through the local youth with a fiery intensity.

While many will appreciate Greenlaw’s intimate portrayal of Mary’s life, the focus here is diffused by less-clearly-realized investigations into her family’s past and the recurring figure of Tom—who will drag us toward an ending we didn’t need or want.

Pub Date: July 9, 2001

ISBN: 0-618-09523-3

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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