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DEAD RECKONING

An inventive, multifaceted historical narrative that delivers haunting imagery of life during wartime.

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British, Italian, and German characters affect one another’s lives in surprising ways in Battersby’s historical novel set before, during, and after World War II.

In 1933, British Master Mariner Edgar Moulton and his wife Lily arrive in London from Devon to visit the ‘epicentre of Edgar’s universe’: the London Naval Museum. Across town, the vivacious British-born Florence Lantieri is finalizing her divorce amid her active social life revolving around the La Società club, dedicated to Italian culture. It’s there that she met a fiery, young Italian man named Fortunato Picchi, who’s motivated her to not be a “tragic” woman, “rotting on the vine.” Fortunato, an ardent anti-fascist, works at the local Savoy Hotel, where three Germans from Leipzig—Ingeborg, Günter, and Bert—have checked in; they’ve come to visit their dear friend, Friedrich, a Jewish medical student who fled Germany and now picks potatoes in the English countryside; he’s also a friend of Edgar and Lily. The various characters’ lives intersect through pure chance, as when Fortunato steps in to stop a vicious attack on Ingeborg and Friedrich by local thugs. Years later, as Europe is ripped apart by war, Edgar is captain of a requisitioned ship, the Arandora Star, while Fortunato and Friedrich are in two different British internment camps on the Isle of Man. Meanwhile, beneath the ocean, Günter and Bert helm German U-boats set to destroy everything in their path. Once again, fate slowly pushes these people’s lives together in sometimes-shocking ways.

In this novel inspired by real events, Battersby constructs what he calls “a work of empathetic imagination.” With each character, the author takes great care to flesh out wholly different worlds and points of view; he weaves rich details about each character throughout the chapters, and readers will find it satisfying to see them connect, much like puzzle pieces clicking into place. This kaleidoscopic narration is a clever way to keep the narrative exposition engaging. However, it can also produce some frustrating results: The sudden time jumps, particularly involving Fortunato and the British internment camps, may have some readers wondering what they missed (either in this book or in history class). Battersby’s narration is most powerful when it focuses on how violence and its effects can become mundane, as when Edgar finds himself dealing with the logistical frustrations of dividing up different groups of refugees on his ship; Friedrich despairs at how to console a woman who’s lost not only her entire family, but also her country; and ships sink into the sea in spectacular moments of chaos that quickly settle, leaving behind only calm pools of oil on the water,“as though the ocean wished to silence the moans of several dismembered engineers.” By the time the story has reached the postwar period, the stories of Battersby’s characters offer a wide-ranging tableau of the war, from the emergence of subtle signs of fascism to horrific atrocities and back to an uneasy normal, showing how each change affects each person differently.

An inventive, multifaceted historical narrative that delivers haunting imagery of life during wartime.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: July 18, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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