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DEAD RECKONING

An inventive, multifaceted historical narrative that delivers haunting imagery of life during wartime.

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British, Italian, and German characters affect one another’s lives in surprising ways in Battersby’s historical novel set before, during, and after World War II.

In 1933, British Master Mariner Edgar Moulton and his wife Lily arrive in London from Devon to visit the ‘epicentre of Edgar’s universe’: the London Naval Museum. Across town, the vivacious British-born Florence Lantieri is finalizing her divorce amid her active social life revolving around the La Società club, dedicated to Italian culture. It’s there that she met a fiery, young Italian man named Fortunato Picchi, who’s motivated her to not be a “tragic” woman, “rotting on the vine.” Fortunato, an ardent anti-fascist, works at the local Savoy Hotel, where three Germans from Leipzig—Ingeborg, Günter, and Bert—have checked in; they’ve come to visit their dear friend, Friedrich, a Jewish medical student who fled Germany and now picks potatoes in the English countryside; he’s also a friend of Edgar and Lily. The various characters’ lives intersect through pure chance, as when Fortunato steps in to stop a vicious attack on Ingeborg and Friedrich by local thugs. Years later, as Europe is ripped apart by war, Edgar is captain of a requisitioned ship, the Arandora Star, while Fortunato and Friedrich are in two different British internment camps on the Isle of Man. Meanwhile, beneath the ocean, Günter and Bert helm German U-boats set to destroy everything in their path. Once again, fate slowly pushes these people’s lives together in sometimes-shocking ways.

In this novel inspired by real events, Battersby constructs what he calls “a work of empathetic imagination.” With each character, the author takes great care to flesh out wholly different worlds and points of view; he weaves rich details about each character throughout the chapters, and readers will find it satisfying to see them connect, much like puzzle pieces clicking into place. This kaleidoscopic narration is a clever way to keep the narrative exposition engaging. However, it can also produce some frustrating results: The sudden time jumps, particularly involving Fortunato and the British internment camps, may have some readers wondering what they missed (either in this book or in history class). Battersby’s narration is most powerful when it focuses on how violence and its effects can become mundane, as when Edgar finds himself dealing with the logistical frustrations of dividing up different groups of refugees on his ship; Friedrich despairs at how to console a woman who’s lost not only her entire family, but also her country; and ships sink into the sea in spectacular moments of chaos that quickly settle, leaving behind only calm pools of oil on the water,“as though the ocean wished to silence the moans of several dismembered engineers.” By the time the story has reached the postwar period, the stories of Battersby’s characters offer a wide-ranging tableau of the war, from the emergence of subtle signs of fascism to horrific atrocities and back to an uneasy normal, showing how each change affects each person differently.

An inventive, multifaceted historical narrative that delivers haunting imagery of life during wartime.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: July 18, 2024

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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