In his foreword to this "Novel for a New Age," as the publisher touts it, mystery maven Block (the Matt Scudder and Evan Tanner series, etc.) thanks 15 spiritual teachers for their "valuable assistance." Too bad none of these gums had the smarts to tell Block to shelve this naive, preachy, and dull offering about a ragtag band of pilgrims who achieve ersatz wisdom on their walk to nowhere. The first walker is Oregon bartender Guthrie Wagner, who one day hears a voice in his head say, "You could take a walk." Take a walk Guthrie does, quitting his job and stepping east. Right away, small miracles occur: he sleeps in near-freezing air and feels no chill; he gives up smoking without trying. Meanwhile, two others soon to cross paths with Guthrie go about their business: 30-ish Indiana mom Sara Duskin, losing her sight but gaining insight and vision; and serial killer Mark Adlon, a woman-hating, millionaire real-estate investor whose stalking and slaying of a slew of victims provides the only real suspense here. As Mark goes on a cross-country killing spree, Sara ups stakes and, young son in tow, follows her heart to Guthrie, who's now strolling along with a buddy he's picked up along the way. The quartet ambles on, joined by dozens, then scores of others who feel the irresistible pull to walk; miracle cures of cancer and paralysis balloon among the walkers as Sara, now the band's acknowledged gum, goes into a trance and reveals their purpose: "to cure the planet's cancer. . .when enough people are walking, the planetary consciousness will reach critical mass, and then everybody will just plain get it without walking." Even serial killers, it seems: when Mark finally feels the call and finds the walkers, they forgive him his murders—after all, as Sara tells him, "Is it your fault they're dead? No. Every death is a kind of suicide; the one who dies chooses it." Fair warning: Run, don't walk, away from this dull psychospiritual babble.
Pub Date: Oct. 17, 1988
ISBN: 1583483810
Page Count: 300
Publisher: Tor
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: Sept. 15, 1988
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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