by Lawrence J. Hergott ‧ RELEASE DATE: March 18, 2020
A luminous meditation on a healer’s experience that’s anguished and exuberant, by turns.
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A doctor weighs the rigors, discontents, and joys of practicing medicine in this collection of essays and poetry.
In these pieces, Hergott, a cardiologist and emeritus professor of medicine at the University of Colorado, delves into the physically and emotionally grueling realities of a medical career as well as the humane idealism at its core. Several essays decry the subjection of doctors to the dictates of markets and corporate health care providers’ demands; the result, he contends, is burned-out physicians with little time to care for their patients’ emotional needs or to maintain family lives of their own. Hergott re-creates the ordeal and trauma of medical training—his nerves were so bad on one day of his residency, he writes, that he had to leave the hospital—and the hard-won confidence in his abilities that grew over time. He also tells stories of appropriate medical treatment choices that resulted in patients’ deaths—every doctor has some—and discusses the painful process of learning and moving on from them. Other, contrasting stories tell of health care professionals forging connections with patients despite obstacles. Hergott recalls a ward full of nonresponsive hydrocephalic infants, many abandoned by their parents, who received tender care from the ward nurses; World War II veterans who opened up to him about things they’d never discussed with anyone; and a doctor in an elevator who lifted the spirits of a fragile patient just by making small talk with her. In several essays, he recounts the death of his adult son, Zachary, in a 2009 plane crash and the rudderless grief that he weathered in its wake—and the colleagues, patients, and strangers who helped him through it with simple gestures of caring.
Hergott writes in a limpid style that’s vivid and often haunting: “They were young men, their bodies pale, translucent, and incomplete,” he writes of convalescents at a military hospital. “Each had part of an arm or a leg missing or had some other wound inconsistent with the perfection of the rest of the body.” His prose moves between clinical precision (“I felt the clamp placed in my hand and as I began to move it toward the cords a thought flashed in my mind…I could completely occlude his airway—which would be catastrophic,” he frets while treating a choking toddler) and more lyrical observations that skillfully evoke mood and feeling (the toddler’s mother had “her son enfolded in her arms, her head bent with her face close to his, she speaking softly to him in a way no one else could”). Even more than his prose, Hergott’s poetry offers dense imagery that conveys psychological wounds beneath physical ones, as in a piece about a brain surgery patient: “When the staples come out, / and the bone beneath has healed, / and your flowing hair— / artfully parted during— / covers the scar after, / there will be nothing seen / of what proceeded.” The overall result is a rich and absorbing portrait of a doctor’s life.
A luminous meditation on a healer’s experience that’s anguished and exuberant, by turns.Pub Date: March 18, 2020
ISBN: 978-1-62734-302-2
Page Count: 182
Publisher: Universal Publishers
Review Posted Online: Oct. 12, 2020
Kirkus Reviews Issue: Nov. 15, 2020
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Melania Trump ‧ RELEASE DATE: Oct. 8, 2024
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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