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REPUBLIC, LOST

HOW MONEY CORRUPTS CONGRESS--AND A PLAN TO STOP IT

Harvard Law School cyber-law expert Lessig (Remix: Making Art and Commerce Thrive in the Hybrid Economy, 2008, etc.) turns his attention to what he believes to be rampant institutional corruption destroying American democracy.

While the U.S. Congress has lost credibility because of widespread conviction that senators and representatives are bought and paid for by special interests, the author argues that this is the fault of a system that has gone out of control rather than the personal venality of politicians. Lessig, a one-time conservative who supported President Obama, attributes this to systematic economic deregulation over the past 20 years, which has allowed for the concentration of wealth into the hands of a small number of individuals who now wield disproportionate power. He shows in detail how financial rather than national interest has come to dominate legislation and the practice of government on both sides of the aisle, despite stated political allegiance. A root cause is the rise of campaign spending, which has grown from $56,000 for a member of the House in 1974 to $1.3 million in 2008 and is still rising. Not only do politicians cater to their largest contributors, but a majority of their time and energy is necessarily diverted to fundraising for the next campaign. Lessig describes how entitlements to big business (“corporate welfare”) provide absolutely no benefit for average Americans or the poor, as exemplified by protective tariffs on sugar and support for ethanol production, which benefit agribusiness to the detriment of public health and the environment. He suggests that campaign-finance reform is the most important issue to be remedied, and he proposes a national discussion about the necessity for a constitutional convention to implement reform. A well-reasoned argument on the structural problems now paralyzing American government, with a less-convincing proposed solution.

 

Pub Date: Oct. 5, 2011

ISBN: 978-0-446-57643-7

Page Count: 320

Publisher: Twelve

Review Posted Online: Aug. 20, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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