Many scientists say that reading science fiction inspired them to launch their careers. Krauss concludes: Why not draw on sci-fi lore, exploits, and tales to teach hard science? The author (Physics and Astronomy/Case Western Reserve Univ.) scored a bestseller with his previous book, The Physics of Star Trek (1995). Now he expands his scope to address other sci-fi hits, ranging from the film 2001: A Space Odyssey to TV's The X-Files. He also scrutinizes such newsworthy events as the chess match between world champion Gary Kasparov and an IBM computer. Krauss begins by examining the alien attack on Earth that was portrayed in the movie Independence Day. He uses basic Newtonian physics to show that the gravitational effects of the huge arriving alien ships would have caused floods and earthquakes sufficient to destroy our civilization before the invaders had even fired a shot. Next, the author assesses the supposed flight characteristics of UFOs, depicted as stopping on a dime and making sudden sharp turns at utterly unbelievable speeds. Krauss calculates that these maneuvers would create inertial G-forces greater than a close-range nuclear explosion; neither the pilots nor any conceivable construction material could withstand them. Another chapter examines the cost of mounting an interstellar expedition, a journey that would require many decades to complete and cost more than the moon. Later chapters apply the principle of general relativity to star travel, explore computer consciousness, and forecast the end of the world. The book concludes by affirming the author's belief that the universe is a place of boundless potential—and that we must fathom it. Perhaps because Krauss shares the public's affection for the pop sources he consults, his book will entertain and instruct general readers without insulting the scientifically literate. ($75,000 ad/promo; author tour)
Pub Date: Nov. 12, 1997
ISBN: 0-465-00637-X
Page Count: 176
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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