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YOU CAN'T MAKE "FISH CLIMB TREES"

OVERCOMING EDUCATIONAL MALPRACTICE THROUGH AUTHENTIC LEARNING

A thoughtful prescription for a pedagogical strategy for sub-Saharan Africa.

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A debut treatise offers a new approach to sub-Saharan African education.

The educational systems of sub-Saharan Africa are not suited for the continent’s economic needs. Modeled on 19th-century European ideas about schooling, they offer an extremely one-size-fits-all approach that ignores the individualized needs and strengths of students. As the nations of Africa move toward postindustrial service- and skills-based “creative” economies, an alternative paradigm in education is required. With this book, the author presents a new method: authentic learning. Steve Revington, whose thoughts on pedagogy underlie Muganga’s work, defines authentic learning as “real life learning…that encourages students to create a tangible, useful product to be shared with their world.” After describing his own traditional education in Uganda, Muganga delivers a portrait of sub-Saharan education as a whole, contrasting it with the more personalized and economically pragmatic practices of authentic learning. The author explains the benefits that this new system would have for the continent and then explores the realities of how it could be implemented. The creative economy represents a way for Africa to make up a lot of ground, exploiting the near-limitless innovative potential of its citizens. But, the author argues, unless an educational overhaul occurs, that resource will remain untapped. Muganga writes in a crisp prose that is technocratic without suffering from opacity: “Globalization connects strongly to the creative economy through the movement towards specialization, where modern information and communication technologies facilitate the sharing of cultural knowledge.” This short book, aimed more at influencers than a general audience, is well-argued and thoroughly sourced, synthesizing a large body of recent research and educational theory. While there are many ideas out there about how to teach children, it’s difficult to argue that a personalized education that prepares students for the economy isn’t an attractive system. On paper at least, Muganga’s proposal is a persuasive one, ambitious but not impractical. While the implementation may be complex, he has succeeded in his stated goal of starting a dialogue on the subject.

A thoughtful prescription for a pedagogical strategy for sub-Saharan Africa.

Pub Date: N/A

ISBN: 978-1-5255-2534-6

Page Count: 173

Publisher: FriesenPress

Review Posted Online: July 23, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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