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THE POPE'S RHINOCEROS

An exhausting banquet of a book, following an improbable adventurer on an unlikely quest during the turbulent 16th century. Norfolk has a talent for catching the strangeness and vigor of other times. His debut, Lempriäre's Dictionary (1992), was set in the 18th century, and involved a wonderfully large and gaudy cast of wanderers and decadent aristocrats, assassins, and mystics. His second novel is, if anything, even more audacious. Inspired by a true incident, it follows the remarkable experiences of an expedition sent to Africa in 1515 to capture a rhinoceros and transport it to Rome. The expedition was mounted by the Portuguese, struggling to hold on to their far-flung trading empire. The idea was that, by giving the rhinoceros—the most outlandish of creatures, the most unexpected of gifts—to the jaded Pope, he might be sufficiently bemused to side with the Portuguese in their desperate contest with Spain. Norfolk has built an exotic, grim narrative around this obscure (and futile) effort. At the heart of the action is Silvestro, a mercenary, a mystic, and a man with an astonishing talent for surviving, recruited for the expedition because he's an outsider and expendable. While the long voyage out and back is the story's centerpoint, it's only one part of Norfolk's considerable canvas, which also includes a peculiar, isolated order of monks, the plots and counterplots of two intemperate empires, and a wonderful portrait of a decrepit but nonetheless vivid Rome, filled with pilgrims, merchants, various ruthless groups contending for power within the Church, resourceful prostitutes, and equally inventive thieves. The great scale of the book eventually becomes daunting: One adventure spirals into another, escapes follow betrayals, revelation piles on revelation. But if the increasingly dark narrative seems finally too overstuffed with incident and too long, this is nonetheless one of the most original, energetic, and ambitious novels of recent years. It marks the emergence of a major writer.

Pub Date: Sept. 1, 1996

ISBN: 0-517-59532-X

Page Count: 608

Publisher: Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1996

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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