A seductive, darkly atmospheric thriller with a spine-tingling climax.
After fleecing a famous New York novelist while working as her personal assistant, Sarah Mullins is targeted by schemers on the other side of the world.
Responding to overtures from a dealer in Hong Kong, Sarah flew there to sell a cache of her employer's letters, with the fading 85-year-old writer's approval. Having peeled off $200,000 in cash from the sale, Sarah is now hiding out in Bangkok in a decaying, once-glamorous apartment complex called the Kingdom. Power outages, seasonal flooding, and rumors of a military crackdown are causing occupants to leave. Though regarded as an oddity, the somber, withdrawn Sarah finds companionship in the extroverted but secretive Mali, a British-educated financial assistant; Ximena, a Chilean chef at a French restaurant; and Natalie, a hotel manager whose “eyes contained a strange hint of vendetta." It isn't long before word of the stash of money in Sarah's closet gets out. The maid, an opportunist like everyone else in this morally compromised world, has a passkey for all of the units and isn't shy about using it. Blackmailed, then implicated in an apparent murder, and finally deserted, Sarah loses all sense of identity. Can she be saved? Coming off his acclaimed Philip Marlowe novel, Only To Sleep (2018), the Bangkok-based Osborne here tilts toward Robert Stone and Graham Greene with his languorous portrayal of an ugly American—a farang, as the locals call White people—getting schooled in a foreign culture. It's a masterfully drawn, mesmerizing novel in which the ghosts of the past—like the bats, lizards, and geckos who gain free access to the Kingdom—refuse to vacate the premises.
A seductive, darkly atmospheric thriller with a spine-tingling climax.Pub Date: Aug. 18, 2020
ISBN: 978-1-984824-30-1
Page Count: 304
Publisher: Hogarth
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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