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LET'S GO SEE PAPÁ!

While this is clearly a much-needed story that effectively captures the experience faced by many immigrant families, its...

A young girl realizes that moving to the United States to live with her father means leaving familiarity behind.

“I haven’t seen my papá for one year, eight months and twenty-two days.” Her father moved away to earn money to send back to his family. Since Sundays are the cheapest day for long-distance phone calls, that day is special to the girl, her mamá and her abuela. The three live together in an unnamed, presumably Latin American country. She keeps a notebook of all the things Papá is missing and reminisces about the times they spent walking their dog Kika. One Sunday, Papá tells his daughter that she and Mamá will finally be able to come live with him in the United States. While she is happy at the prospect of living with her father again, she is also has trepidations about leaving Abuela, Kika and her best friend Rocío behind. Schimel takes readers into the mind of the unnamed girl through his skillful use of the first-person narration, while Rivera’s mixed-media illustrations combine traditional materials with photocopies and transfers to give some pages a scrapbooklike appeal. Readers will enjoy deciphering the various visual elements.

While this is clearly a much-needed story that effectively captures the experience faced by many immigrant families, its themes are relevant to all children. (Picture book. 4-8)

Pub Date: Nov. 1, 2011

ISBN: 978-1-55498-106-9

Page Count: 48

Publisher: Groundwood

Review Posted Online: Sept. 27, 2011

Kirkus Reviews Issue: Oct. 15, 2011

Categories:
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A THOUSAND YEARS

A sweet notion that falls flat.

A hit song reimagined as a book about parental love.

Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.

A sweet notion that falls flat. (Picture book. 4-7)

Pub Date: April 1, 2025

ISBN: 9780593622599

Page Count: 32

Publisher: Viking

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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