Strong writing and a swift plot make for a solid debut.
In Verigin’s debut thriller, a journalist takes on the story of his career when he agrees to write a book exposing the corruption and deadly dealings of an agribusiness giant.
Disenchanted with his work at the Seattle News, Nick Barnes is intrigued when he is approached by Dr. Carl Elles, a former scientist at agricultural company Naintosa. Although Nick had just written a positive article on Naintosa’s genetically engineered vegetables, the doctor convinces him that not all is as it seems with these supercrops, and the two arrange a meeting to look at Elles’ notes. When Nick finds him dead in his office, he can’t shake the thought that something is amiss: An imposing man claiming to be a police lieutenant arrives on the scene well before any other police officers, and a gray car seems to be following his every move. Nick doesn’t start putting the pieces together until he meets with Morgan Elles, daughter of the late doctor. Assuring Nick that she has copies of her father’s notes, she convinces him to continue with the project and write the exposé. Nick agrees, and the two set out on an international game of cat and mouse with the thugs who will do anything to stop them. Throughout the story, Verigin’s pacing is masterful and adept. He imbues Nick with self-deprecating humor and intelligence, lending him a credibility that makes even the occasional red herring a little more fun. Readers may find the perfectly beautiful Morgan less nuanced, and while Nick’s attraction to her is understandable, some may tire of his frequent descriptions of her outfits. Dialogue is lively and realistic, an asset in maintaining the suspense. The level of conspiracy in the story, however, might seem over-the-top; still, most readers will be quick to overlook it and get on with the ride. Verigin has left the door wide open for a sequel, and this entree should earn him a base of eager fans.
Strong writing and a swift plot make for a solid debut.Pub Date: Dec. 1, 2013
ISBN: 978-1927559178
Page Count: 310
Publisher: Promontory Press Inc
Review Posted Online: May 23, 2014
Kirkus Reviews Issue: July 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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