Next book

WAVES PASSING IN THE NIGHT

WALTER MURCH IN THE LAND OF THE ASTROPHYSICISTS

An extended New Yorker–style profile of a public figure who is charismatic and interesting enough to deserve a fuller...

An odd but appealing portrait of an Academy Award–winning sound editor fascinated with a simple 18th-century equation that predicts the distance of planets and satellites from the central body.

Called Bode’s law, its predictions are accurate—most of the time; sometimes it fails. As illustrated in Mr. Wilson’s Cabinet of Wonder (1995), critic and journalist Weschler (Uncanny Valley: Adventures in the Narrative, 2011, etc.) has a taste for talented eccentrics, and Walter Murch (b. 1943), who has worked on Apocalypse Now, the Godfather films, The English Patient, and other acclaimed films, certainly qualifies. A brilliant polymath and perhaps the world’s most respected film and sound editor, Murch has been nominated for nine Academy Awards and won three. Although his impressive Wikipedia entry fails to mention it, Murch has devoted 20 years to a private crusade promoting Bode’s law in lectures, writing, and correspondence. Encountering him five years ago, Weschler was converted, and he devotes this slim volume to explaining Murch’s efforts and interviewing scientists who are almost universally dismissive. “Numerology,” one commented. Readers will have no trouble understanding the Bode equation, the mathematics of which is simple high school algebra. The author is convincing in his argument that the scientific establishment has treated Murch unfairly. There’s no denying that some objections are petty—e.g., Murch’s lack of academic training in the subject. There’s also no denying that working scientists have plenty of experience with crackpots who obsessively promote one big idea. In fact, gravity and processes of planetary formation lead to some surprising regularities. Working astronomers don’t ignore Bode’s law but consider it an ingenious ad hoc invention that doesn’t adequately explain anything.

An extended New Yorker–style profile of a public figure who is charismatic and interesting enough to deserve a fuller biography.

Pub Date: Jan. 31, 2017

ISBN: 978-1-63286-718-6

Page Count: 176

Publisher: Bloomsbury

Review Posted Online: Oct. 25, 2016

Kirkus Reviews Issue: Nov. 15, 2016

Next book

THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Close Quickview