The wittiest political novel we've seen in some time, and a fine beginning to what one hopes is this accomplished...
The final days in power of Panama's military strongman Manuel Noriega are the subject of this savvy and bleakly comic first fiction by New Yorker reporter Wright (Twins: Their Remarkable Double Lives—and What They Tell Us About Who We Are, 1998, etc.).
Wright's "Tony" Noriega is an appalling, fascinating, and at times even sympathetic figure. He enters the novel following an account of the discovery of populist "revolutionary" Hugo Spandafora's headless corpse, and a brief dose of the irreverent cynicism indulged by Archbishop Morette, "banished" to Panama City by the Vatican. Noriega, at this time, is in Geneva, receiving extreme-measure medical treatment for "acne vulgaris." Thereafter, the story careens gracefully between illustrations of Noriega's iron-fisted rule (specifically, as experienced first-hand by the Archbishop's idealistic and unworldly subordinate, Father Jorge Ugarte) and often hilarious debunkings of the Great Man's relationships with puppet politicos who clamor for at least the appearance of authority, military aides who inconveniently develop consciences, Noriega's wrathful wife Felicidad and petulant mistress Carmen, murderous Colombian drug-lord Pablo Escobar and neighboring fellow dictator Fidel Castro; even visiting "diplomat" Colonel Oliver North (who blithely preaches George Bush's gospel of international pragmatism). There are horrors aplenty, and handsome, earnest Father Jorge offers the perfect contrast to the introverted, paranoid, deeply insecure General Noriega, whose most trusted associates are the specimens that reside in his private aviary (notably, Pepe, "a neurotic sulfur-crested cockatoo") and his personal "psychic," witch-doctor, and sex consultant, Santeria priest Gilbert Blancarte. Wright takes no prisoners (even a well-meaning former "Presidente" imagines himself "a soldier of economic enlightenment, imposing the stern teachings of Milton Friedman on the Third World, much as the Conquistadors had imposed bloody Christianity on the savages of the past"), in a vigorous full-dress satiric farce that neatly skewers the self-righteous mendacity of all the Americas, ours very much included.
The wittiest political novel we've seen in some time, and a fine beginning to what one hopes is this accomplished journalist's second career.Pub Date: March 9, 2000
ISBN: 0-684-86810-5
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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