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THEY NEVER LEARN

Disarms its own argument for woman power by simply equating revenge to justice.

A woman who has been killing men for years, and enjoying it, finds her secret under investigation.

Dr. Scarlett Clark, a successful English professor at small, elite Gorman University, has a secret: For years, she’s been killing boys and men guilty of assault and rape of other women. In a world where the university system shies away from seeking justice for these young women, she has taken it upon herself to assume the role of avenging angel, staging most of the deaths as accidents or suicide. But when she eliminates a star football player, doubt surfaces that he was suicidal, and Dr. Samina Pierce, head of the psychology department, begins to look for patterns in the past deaths. This doesn’t stop Scarlett, however, from planning one of her most personal murders yet. Scarlett’s story unfolds in parallel to a second tale: Chapters from Scarlett’s point of view alternate with chapters from the perspective of Carly Schiller, a Gorman freshman who witnesses an assault against her roommate and becomes obsessed with exposing the guilty student. In this novel, everything is black or white: Male behavior is always predatory while female response is always justified. While author Fargo may have intended her vigilante to be the embodiment of independent, enlightened womanhood, a hero for the #MeToo era, it’s clear that Scarlett is actually a sociopath. Those who deem themselves an arm of justice often have to live in the gray area, but there's little evidence that Scarlett feels guilt or inner conflict, as the most compelling vigilante heroes in literature usually do. Instead, the argument that murder is always justified, and even admirable, might make for a good thriller, but it rejects the opportunity to explore accountability and inspire true cultural change.

Disarms its own argument for woman power by simply equating revenge to justice.

Pub Date: Oct. 13, 2020

ISBN: 978-1-9821-3202-6

Page Count: 352

Publisher: Scout Press/Simon & Schuster

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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