A woman who has been killing men for years, and enjoying it, finds her secret under investigation.
Dr. Scarlett Clark, a successful English professor at small, elite Gorman University, has a secret: For years, she’s been killing boys and men guilty of assault and rape of other women. In a world where the university system shies away from seeking justice for these young women, she has taken it upon herself to assume the role of avenging angel, staging most of the deaths as accidents or suicide. But when she eliminates a star football player, doubt surfaces that he was suicidal, and Dr. Samina Pierce, head of the psychology department, begins to look for patterns in the past deaths. This doesn’t stop Scarlett, however, from planning one of her most personal murders yet. Scarlett’s story unfolds in parallel to a second tale: Chapters from Scarlett’s point of view alternate with chapters from the perspective of Carly Schiller, a Gorman freshman who witnesses an assault against her roommate and becomes obsessed with exposing the guilty student. In this novel, everything is black or white: Male behavior is always predatory while female response is always justified. While author Fargo may have intended her vigilante to be the embodiment of independent, enlightened womanhood, a hero for the #MeToo era, it’s clear that Scarlett is actually a sociopath. Those who deem themselves an arm of justice often have to live in the gray area, but there's little evidence that Scarlett feels guilt or inner conflict, as the most compelling vigilante heroes in literature usually do. Instead, the argument that murder is always justified, and even admirable, might make for a good thriller, but it rejects the opportunity to explore accountability and inspire true cultural change.
Disarms its own argument for woman power by simply equating revenge to justice.