Razor-sharp writing distinguishes stories that enthrall as often as they unnerve.
Machines, dolls, and ghastly things animate von Hessen’s debut collection of somber horror tales.
In “The Contagion,” the Dreiyer family’s annual road trip includes a stop at a bed-and-breakfast—that’s where 7-year-old Sylvia peeks into a trunk of dolls, one of which, she swears, moves on its own. Decades later, when looking for inspiration for a TV show she’s working on, she returns to the inn and makes a startling discovery. Von Hessen’s 14 stories herein tackle such diverse subgenres as the undead, body horror, and something more Lovecraftian (“Spectral Golem”), but there’s a discernible theme of identity that runs throughout the book. Characters interrogate their pasts; the narrator of “The Patent-Master” travels to an island coastal town, where the discovery of their late mother’s former profession is the first of many surprises. In one of the collection’s highlights, “The Obscurantist,” Brooklyn-based Andrei’s lifelong obsession with a girl who once appeared on an obscure variety show ultimately leads him down a dark path. These tales are bleak, forgoing humor and zeroing in on individuals who find themselves in miserable, appalling, or lethal circumstances. A few of the entries dive deep into visceral and grotesque imagery; one that’s sure to turn stomachs is “Roscoe’s Malefic Delights,” which is about a newly opened eatery with only one item on its menu: These “delights” (“reminiscent of blood-drained white worms or skinned, flattened rats’ tails or stringy strips of tripe”) definitely don’t look appetizing, but their appearance may not be their worst attribute. In every chilling moment and unexpected turn, the author’s prose is nothing short of intoxicating—unforgettable passages equate one man with “the human embodiment of a prolonged sigh”; a “sloshing” akin to a “half-empty jar of preserves” describes something that ideally shouldn’t be making that sound.
Razor-sharp writing distinguishes stories that enthrall as often as they unnerve.Pub Date: today
ISBN: 9798218491857
Page Count: 244
Publisher: Grimscribe Press
Review Posted Online: Oct. 30, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.
The master of supernatural disaster returns with four horror-laced novellas.
The protagonist of the title story, Holly Gibney, is by King’s own admission one of his most beloved characters, a “quirky walk-on” who quickly found herself at the center of some very unpleasant goings-on in End of Watch, Mr. Mercedes, and The Outsider. The insect-licious proceedings of the last are revisited, most yuckily, while some of King’s favorite conceits turn up: What happens if the dead are never really dead but instead show up generation after generation, occupying different bodies but most certainly exercising their same old mean-spirited voodoo? It won’t please TV journalists to know that the shape-shifting bad guys in that title story just happen to be on-the-ground reporters who turn up at very ugly disasters—and even cause them, albeit many decades apart. Think Jack Torrance in that photo at the end of The Shining, and you’ve got the general idea. “Only a coincidence, Holly thinks, but a chill shivers through her just the same,” King writes, “and once again she thinks of how there may be forces in this world moving people as they will, like men (and women) on a chessboard.” In the careful-what-you-wish-for department, Rat is one of those meta-referential things King enjoys: There are the usual hallucinatory doings, a destiny-altering rodent, and of course a writer protagonist who makes a deal with the devil for success that he thinks will outsmart the fates. No such luck, of course. Perhaps the most troubling story is the first, which may cause iPhone owners to rethink their purchases. King has gone a far piece from the killer clowns and vampires of old, with his monsters and monstrosities taking on far more quotidian forms—which makes them all the scarier.
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.Pub Date: April 20, 2020
ISBN: 978-1-9821-3797-7
Page Count: 448
Publisher: Scribner
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
SEEN & HEARD
SEEN & HEARD
PERSPECTIVES
All hits and no skips is a tall order, but this strong, solid compilation is well worth a short story lover’s time.
Pitlor ushers in her final installment as series editor of this long-running staple showcasing the year in short fiction.
Of all the kids at the literary lunch table, the anthology might have it the hardest. Wearing plaid with stripes, unpacking the random items in its lunch box—it’s hard for a cohesive personality to shine through, unlike those cool-kid single-author collections. But if readers are prepared for eclecticism—and since Best American Short Stories was established in 1915, we must be—these 20 stories have something for everyone. Guest edited by Groff, a seven-time Best American author, the collection includes some nods to short story royalty: Jhumpa Lahiri, Lori Ostlund, the late Laurie Colwin, and Jim Shepard are all represented. But as both Pitlor and Groff discuss in their introductions, Groff sent back Pitlor’s initial batch of stories asking for something “rawer, meaner, spikier”—stories with their own “weird logic.” (Groff’s description of this aesthetic preference lands better than her diatribe against the first-person point of view, which precedes 12 of 20 stories in first-person.) In finding weird, spiky stories, Groff leans hard—and often thrillingly—on early-career writers. There is Katherine Damm’s sparkling and funny “The Happiest Day of Your Life,” featuring a young husband freewheeling into drunkenness at a wedding reception for his wife’s ex-boyfriend. In Suzanne Wang’s inventive “Mall of America,” AI narrates a tale of corporate (and all-too-human) woe when an elderly man spends time after hours in the mall’s arcade. Madeline Ffitch’s “Seeing Through Maps” recounts the tense relationship between two neighbors with a complicated history. In Steven Duong’s “Dorchester,” a young writer has a poem go viral after an anti-Asian hate crime.
All hits and no skips is a tall order, but this strong, solid compilation is well worth a short story lover’s time.Pub Date: Oct. 22, 2024
ISBN: 9780063275959
Page Count: 400
Publisher: Mariner Books
Review Posted Online: Sept. 13, 2024
Kirkus Reviews Issue: Oct. 15, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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