Overly intricate character work hobbles a crafty plot.
Fraser’s (Frozen Statues, 2017, etc.) thriller follows a pair of private investigators as their respective workloads converge on a killer.
In Toronto, private investigators Samantha McNamara and Reece Hash are engaged. Sam is pursuing her doctoral degree and hopes to get an internship at the Serenity Clinic under neuropsychiatrist Dr. Emily Armstrong. Reece is a legal articling student assigned to “audit police due diligence” in several “closed sudden-death cases.” Busying their lives further is a new puppy, Pepin, and the siblings Eli and Danny Watson, who form the technologically savvy portion of the investigative team. At the clinic, Sam is offered the internship, but only if she’s willing to help deprogram 17-year-old Fadiya Basha, survivor of the Bueton Sanctuary cult. Fadiya believes that the cult’s deceased leader, Mussani, visits her at night. She’s also eight weeks pregnant, which shouldn’t be possible. Meanwhile, Reece learns that drone sightings connect his cases. As the two PIs proceed, each must decide whether to navigate treacherous moral terrain for the greater good. Fraser’s latest Perdition Games thriller augments plotlines with domestic travails, including the noisy, destructive Pepin and Sam’s Alzheimer’s-stricken mother, Grace, who insists on planning an elaborate wedding for her daughter. While these elements help the main characters grow within the series, they also slow momentum. Chapters follow Sam, Reece, and someone named Blu, whose tragic upbringing in Louisiana borders on the Dickensian. Fraser toys with readers, creating victims who are so repulsive that we practically cheer their demises. A tangle of subplots—featuring the gruff Dr. Mathias Beauregard and the young science prodigy Azar Basha—helps obscure the connecting element between Sam’s and Reece’s cases. Fraser drains some of the menace from her killer by providing an overly elaborate backstory. However, excellent use of Eli, who has Asperger syndrome, bolsters the final third. Readers will be entertained if they can reconcile the driving events in the present with the melodrama of the flashbacks.
Overly intricate character work hobbles a crafty plot.Pub Date: Oct. 19, 2019
ISBN: 978-0-9947742-6-2
Page Count: 399
Publisher: Self
Review Posted Online: Dec. 11, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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