Nothing much new or original, but utterly absorbing and supremely satisfying for all that.
This 19th entry in the Recluce fantasy series, in which two opposite types of magic work—white, which involves the manipulation of chaos, and black, which uses order—begins a new trilogy set on the continent of Candar.
Young Beltur, a mediocre white mage, assists his uncle Kaerylt, a powerful white mage. Denardre, the Prefect of Gallos, considers neighboring countries his enemies and decides to raise tariffs to fund a war effort. He orders Wyath, his white arms-mage, to conscript all wizards, whites to wield their destructive chaos magic, blacks as healers. Kaerylt rejects this, so Wyath murders him, while an appalled Beltur hurriedly conceals himself and survives. He’s taken in by Kaerylt’s friend, the black mage Athaal. They make their way to Elparta, where there’s a community of black mages and healers. Beltur learns, to his own astonishment, that although he can work with chaos, his real talents are with order: he’s able to blend both magics, an ability not seen for hundreds of years. He also enjoys a budding romance with young healer Jessyla. But soon enough the Prefect invades with armies and mages, and Beltur cannot refuse to help defend his new home. Once again, Modesitt (Assassin’s Price, 2017 etc.) works all the angles offered by the rock-solid backdrop and the remorseless logic of the dual magic system. He portrays a man whose fundamental goodness arises from a seemingly infallible moral awareness and who, when plunged into misfortune not of his own making, must dig deep within to discover his true self. Modesitt’s been doing this sort of thing for many, many books, and no writer does it better. What’s most surprising, perhaps, is that in his hands the formula never grows old.
Nothing much new or original, but utterly absorbing and supremely satisfying for all that.Pub Date: Oct. 31, 2017
ISBN: 0-7653-9468-5
Page Count: 560
Publisher: Tor
Review Posted Online: Aug. 30, 2017
Kirkus Reviews Issue: Sept. 15, 2017
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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