While readers who long for concrete answers may be frustrated, those willing to go along with this captivating exploration...
In a world where "Sick's the same as Freak Above," only below is Safe.
Safe is both adjective and noun in Matthew’s world, both the feeling and the subterranean haven built by claw-handed Atticus. Matthew is the Teller of Safe, the person who keeps everyone's stories and retells them. Its denizens are those unwanted Above: the mentally ill, the marginal—and the Cursed. He loves the fragile, honey-haired Ariel, whom he found on patrol in the sewers around Safe and who turns into a honeybee when under stress. Bobet starts her surreal fable/adventure explosively, with a catastrophic raid by the terrifying shadows that kills leader Atticus and scatters Safe's residents. Matthew, Ariel and two others make their way alone to a sympathetic doctor Above to regroup and, they hope, retake Safe. Above, Matthew finds his received history continually under challenge. Having been the first child born in Safe, Matthew sees it as the only reality. Occasionally interspersing Matthew's tightly filtered, present-tense account with the Tales of Safe, the author rarely gives readers an opportunity to see what may be objectively "real," making for a slightly claustrophobic, normality-inverting experience.
While readers who long for concrete answers may be frustrated, those willing to go along with this captivating exploration of both individual and collective identity will find themselves pondering its implications long after the last page . (Fiction. 14 & up)Pub Date: April 1, 2012
ISBN: 978-0-545-29670-0
Page Count: 368
Publisher: Levine/Scholastic
Review Posted Online: Feb. 21, 2012
Kirkus Reviews Issue: March 15, 2012
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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