A first novel by the already much-praised Cohen (Train Go Sorry: Inside a Deaf World, 1993; Glass, Paper, Beans, 1996) stuns with its lean, unadorned artistry as it limns the tale of two preadolescent sisters in their search for the truth about their parents' death, their own past, and the connection that binds them together. Tilly and Mole's parents drowned in the Kittiwake River one stormy night while trying to rescue a boatload of partygoers—or at least that's how the story goes. Now, 11-year-old Mole (real name Martha) and the prettier 12-year-old Tilly have spent the nine years since their parents' death embroidering on this sparse family legend—imbuing their mother and father with invented personalities, passions, and tragic flaws that their guardian, Aunt Hy, and their small-town neighbors have neglected to provide. Over time, Mole has come to consider this story of death the sisters' greatest treasure, and she's outraged when Tilly casually uses it to impress a city boy whose family is vacationing on the lake. The family, renting a house from Aunt Hy for the summer, is headed by a pair of scientists whose marital troubles cast a shadow on Mole and Tilly as well as on their own four children. As Tilly is drawn ever deeper into the vortex of this troubled clan, Mole deals with Tilly's abrupt abandonment of her in exchange for romance by painstakingly collecting clues to the true story of her parents' lives, hoarding and treasuring each shiny bit of information as a potential tool to bring her sister back to her—and to rescue her from the perilous brink of adolescence. Cohen's taut, unsentimental prose brilliantly evokes Mole's strange imaginary world. A radiant coming-of-age story in which every character rings true. (First printing of 25,000)
Pub Date: July 11, 1997
ISBN: 0-380-97468-1
Page Count: 336
Publisher: Avon/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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