by Leah Hager Cohen ‧ RELEASE DATE: May 7, 2001
Not quite as imaginative and unusual as the marvelous Glass, Paper, Beans (1997), but nonetheless another fine work of...
Novelist and reporter Cohen (Heat Lightning, 1997, etc.) examines the Arlington Friends of the Drama (AFD) production of M. Butterfly for what it reveals about the changing shape of community theater—and in the nature of community itself.
Founded in 1923 as a genteel recreation for society ladies in suburban Boston, AFD in the late 1990s found itself struggling to attract younger members, who had less free time than their predecessors and looser links to Arlington (where its recently renovated theater stands). M. Butterfly, which features nudity and a same-sex love affair, was a controversial choice for the over-50 crowd that constitutes the majority of AFD’s members, but director Ceila Couture (AFD president and a manager at Hewlitt-Packard) believed it was an artistically necessary step. She recruited most of the AFD stalwarts for her design team and cast a canny mix of old-timers (including board member and perennial leading man Jimmy Grana as French diplomat Gallimard) and newcomers (most notably, 22-year-old Patrick Wang as the Chinese opera star who impersonates a woman and becomes Gallimard’s “mistress”). Cohen follows the production from auditions through opening night to its triumph at a regional competition, detailing the hard work of actors, directors, designers, and backstage personnel, all of whom are profiled with empathy and acuity in lucid, deceptively simple prose. Eschewing the now-tired traditions of New Journalism, she keeps herself out of this third-person narrative, although her intelligence and sensitivity as an observer are always evident. A few first-person chapters, somewhat bumpily integrated, movingly convey Cohen’s love for amateur theater as the purest expression of the universal human desire to tell stories and make art—which she finds alive and well at AFD.
Not quite as imaginative and unusual as the marvelous Glass, Paper, Beans (1997), but nonetheless another fine work of cultural reflection by a gifted young writer.Pub Date: May 7, 2001
ISBN: 0-670-89981-X
Page Count: 256
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2001
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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