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WITHOUT APOLOGY

GIRLS, WOMEN, AND THE DESIRE TO FIGHT

Women’s-studies courses may welcome the author’s views on aggression, but her blow-by-blow accounts of numerous ring...

Cultural critic Cohen enters the world of boxing to probe the nature of female aggressiveness.

For nearly a year the author (The Stuff of Dreams, 2001, etc.) followed the lives of four street-tough boxers—sisters Jacinta, Josefina, and Candida, aged 15, 12, and 10, respectively, and Jacinta’s best friend Nikki, also 15—and their coach Raphi at the Somerville Boxing Club in a suburb of Boston. Cohen found herself both repulsed and entranced by their world, but the jealousy she felt as she watched the girls train soon spurred her to ask Raphi to teach her to box too. Her text blends her own and the girls’ experiences in the gym and in the boxing ring, the literature on female aggression, and her challenges to the accepted theories of academicians on the subject. What happened in the ring, she says, was “tightly and plainly bound to griefs unhealed, riddles unsolved, hurts inflicted beyond those walls,” but whether boxing aggravated those hurts or enabled the boxer to transcend them or simply to reenact them in a safe setting “remained a mystery.” Cohen’s account of the girl boxers peters out when they stop coming to the gym, and her story of their trainer also ends when Raphi becomes pregnant and stops coaching. The author went to a new coach, however, and continued her own training, discovering strength and power that she hadn’t known she had in her rather frail body. Challenging the notion that aggressiveness and femininity are incompatible, Cohen finds parallels between sparring and coupling (both acts characterized by urgent paired movements and bodily contact) and concludes that without aggression we cannot meet, grow, or love.

Women’s-studies courses may welcome the author’s views on aggression, but her blow-by-blow accounts of numerous ring encounters make for a tedious read.

Pub Date: Feb. 8, 2005

ISBN: 1-4000-6157-1

Page Count: 224

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2004

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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