by Leda Schubert ; illustrated by Maya Ish-Shalom ‧ RELEASE DATE: Feb. 16, 2021
A warm and nostalgic family remembrance.
Love of opera brings a Jewish boy from czarist Russia to New York.
When he hears an opera singer perform in the neighboring shtetl, Nathan wants to sing also. His impoverished family saves for years and finally can afford to send him to Italy to study. Nathan sets out for a Black Sea port but is so overwhelmed by the many languages that he ends up on the wrong ship—one that is sailing to New York City. Fortunately, he can literally sing for his supper, and all the passengers dine and dance to his music-making. When he sets foot in New York, he continues to sing, this time on street corners to pay for food and lodging. A job in a hat store, marriage, and earning enough money to bring over his family follow. Nathan continues his studies and even sings on Broadway. The author recounts what is loosely her grandfather’s journey to America with great affection. In her author’s note, she provides some background information on Jewish life in Russia’s “Pale of Settlement” with its often violent anti-Semitism. The graphically striking artwork is brightly colored in blues, yellows, and oranges and fills the pages with dancing figures and city buildings. Families may follow this story with tales of their own American journeys. (This book was reviewed digitally with 10.5-by-16-inch double-page spreads viewed at 33.9% of actual size.)
A warm and nostalgic family remembrance. (Picture book. 4-7)Pub Date: Feb. 16, 2021
ISBN: 978-1-984815-78-1
Page Count: 32
Publisher: Dial Books
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Eileen Spinelli ; illustrated by Archie Preston ‧ RELEASE DATE: Sept. 1, 2015
Low-key and gentle; a book to be thankful for.
Spinelli lists many things for which people are thankful.
The pictures tell a pleasing counterpoint to this deceptively simple rhyme. It begins “The waitress is thankful for comfortable shoes. / The local reporter, for interesting news.” The pictures show a little girl playing waitress to her brother, who playacts the reporter. The news gets interesting when the girl trips over the (omnipresent) cat. As the poem continues, the Caucasian children and their parents embody all the different roles and occupations it mentions. The poet is thankful for rhyme and the artist, for light and color, although the girl dancer is not particularly pleased with her brother’s painterly rendition of her visual art. The cozy hotel for the traveler is a tent for the siblings in the backyard, and the grateful chef is their father in the kitchen. Even the pastor (the only character mentioned who is not a family member) is grateful, as he is presented with a posy from the girl, for “God’s loving word.” The line is squiggly and energetic, with pastel color and figures that float over white space or have whole rooms or gardens to roam in. Both children, grateful for morning stories, appear in a double-page spread surrounded by books and stuffed toys as their mother reads to them—an image that begs to be a poster.
Low-key and gentle; a book to be thankful for. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-0-310-00088-4
Page Count: 32
Publisher: Zonderkidz
Review Posted Online: May 17, 2015
Kirkus Reviews Issue: June 15, 2015
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