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THE LAST HUMAN

Appealing speculative fiction with memorable robot personalities.

A trio of robot workers sets out to help a girl they believe to be the last of humankind.

Thirty years after robots put an end to humanity in order to save the planet, a girl appears at the narrator’s worksite. XR_935 is purpose-built to install solar panels in a large array. XR_935’s work companion, enormous, strong Ceeron, built to lift and carry, is a scholar of human jokes and colloquialisms. Smaller, zippy SkD connects wires and communicates via emoji pictographs. XR_935 itself is analytical, constantly running numbers, data, and measurements. Emma, a white-presenting human, explains that her family and others have been overcome by a flu epidemic in their hidden bunker. The lone survivor, she hopes to reach a point of help marked on a map. XR_935 grapples with the dilemma: It needs to violate the rules it knows in order to provide forbidden assistance to this Unknown LifeForm. Bacon deftly constructs an amiable but also moral and emotional self for XR_935 out of the data that the unlikely hero collects and considers. The result is an amusing and upbeat adventure, with glimpses of a fading human footprint on the planet and a suggestion that there’s hope for a shared AI and human future. An off note is sounded, however, in XR_935’s initial conjecture that Emma could be “a shaved gorilla” (to which Emma reacts, “not cool”), which unnecessarily deploys a phrase that some young readers will recognize as a racist one. After all, via data clips, XR_935 and its fellow robots have seen images of humans multiple times.

Appealing speculative fiction with memorable robot personalities. (Science fiction. 9-12)

Pub Date: Oct. 8, 2019

ISBN: 978-1-4197-3691-9

Page Count: 288

Publisher: Amulet/Abrams

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: July 15, 2012

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