An idiosyncratic but enjoyably atmospheric murder mystery.
Some Oregon techies must deal with a possible serial killer in their ranks in this satirical mystery novel.
Portland, Oregon, 2013. Kipling Rehain, a failed “alternative energy” entrepreneur, aging pothead, and secret Luddite (he only recently learned what IT stands for), attends a programmers’ meet and greet at the Mission Theater. There, he meets Cynthia “GG” Oglethorpe, a tech wunderkind with a revolutionary idea for a social media app that will bring people together rather than fragmenting them into partisan tribes: “I want to architect it right so it actually means something. Not endless pictures of cute pets and birthday greetings….I want to do something that matches people based on their ‘anti-interests.’ Suppose everyone had friends who were the opposite of themselves?” With this meeting, SwiftPad is born, and it promises to make boatloads of cash for them and their backers. Meanwhile, a skeleton belonging to a woman who disappeared 16 years ago is discovered buried in one of the city’s utility vaults. It’s the same day that Kip’s old friend Jim Hunt starts working for the utility company. As a set of old cold cases reopens, SwiftPad’s future—and those of its founders—becomes inextricably tied to Portland’s past. Barckmann’s (Farewell the Dragon, 2017, etc.) prose is stylish and funny, particularly when he describes the changing face of the Rose City: “There seemed to be a disdain in Portland for things he thought were important: style, cars, fragrance, and the statement you made when you stood up and took off your sunglasses. And they had a thing about body odor, or rather didn’t. It was especially evident on the MAX train.” While his characters don’t always make realistic decisions—it’s unclear why GG would be attracted or even intrigued by Kip, but she sleeps with him mere hours after meeting him for the first time—the milieu is compelling enough to keep readers captivated. The book reads like a looser version of a Jonathan Lethem novel, riffing on gentrification and the tech industry while exhibiting a genuine love for detective tales and the Portland of old.
An idiosyncratic but enjoyably atmospheric murder mystery.Pub Date: Sept. 15, 2015
ISBN: 978-1-62901-271-1
Page Count: 318
Publisher: Inkwater Press
Review Posted Online: Dec. 31, 2019
Kirkus Reviews Issue: March 1, 2020
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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