Young board-book listeners will be happy when their caregivers take Hopkins’ advice: “Read to me—then— / read to me / read...
In his first collection for toddlers, master anthologist Hopkins has organized 30 poems by over 20 poets in five sections: “Family,” “Food,” “Firsts,” “Play,” and “Bedtime.”
Despite the saccharine title taken from Rebecca Kai Dotlich's “Sandman” poem, these verses are not doggerel, making it a refreshing departure from the unfortunate board-book norm. The longest poem is only eight lines long, while most have four to six. The vocabulary is simple, and the rhymes work, as readers will expect from such well-known poets as X.J. Kennedy, Jane Yolen, Eileen Spinelli, Marilyn Singer, Alice Schertle, and J. Patrick Lewis. Parents and grandparents—arguably the primary audience for this collection—may discover some new favorites among the other contributors: Prince Redcloud, Joan Bransfield Graham, Laura Purdie Salas, Christine O'Connell George, and several more. Hopkins has chosen poems written from the child's viewpoint, so even with multiple authors there is a unity of concept. Nassner's pastel-hued illustrations match the tone of each poem, and her anthropomorphic-animal cast sidesteps the challenge of representing ethnic diversity that photos or more realistic illustrations would present.
Young board-book listeners will be happy when their caregivers take Hopkins’ advice: “Read to me—then— / read to me / read to me / again and again.” (Board book. 1-3)Pub Date: March 3, 2015
ISBN: 978-1-4197-1037-7
Page Count: 44
Publisher: Abrams Appleseed
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: July 1, 2015
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday.
Animal parents declare their love for their offspring in alphabetical order.
Each page displays an enormous capital letter, one line of verse with the keyword capitalized, and a loving nonhuman parent gazing adoringly at their baby. “A is for Always. I always love you more. / B is for Butterfly kisses. It’s you that I adore.” While not named or labelled as such, the A is also for an alligator and its hatchling and B is for a butterfly and a butterfly child (not a caterpillar—biology is not the aim of this title) interacting in some way with the said letter. For E there are an elephant and a calf; U features a unicorn and foal; and X, keyed to the last letter of the animal’s name, corresponds to a fox and three pups. The final double-page spread shows all the featured creatures and their babies as the last line declares: “Baby, I love you from A to Z!” The verse is standard fare and appropriately sentimental. The art is cartoony-cute and populated by suitably loving critters on solid backgrounds. Hearts accent each scene, but the theme of the project is never in any doubt.
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday. (Board book. 1-3)Pub Date: Dec. 1, 2020
ISBN: 978-1-7282-2095-6
Page Count: 28
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Guess how much you’ll be reading this.
Parent and child share a day of small adventures and cozy snuggles.
That the two happen to be tortoises is totally beside the point. Die-cut holes and shaped edges turn nearly every page flip into a surprise. Following a parental “Good morning, Baby” to greet the youngling’s “Wake up, wake up, I want to play… / The sun is up, it’s a brand new day!” the two reptiles ramble off to munch on leaves, weather a sudden rain shower, discover a flock of butterflies, climb a hill, watch the moon rise, and, at last, weary little one perched on top, settle down to snooze again. The paper engineering is ingenious. Turning a seemingly arbitrarily shaped page with a special window framing a pink butterfly fills the spread with many jewel-toned insects; even though the tortoises never change position, the scene is completely transformed. Hegarty’s rhymed narrative features lots of tender sentiments—“Wherever you are, wherever you go, / Baby, I’ll always love you so”—while steering clear of any gender references. In Elliott’s peaceful, grassy settings the wanderers’ small smiles and shared glances likewise create a sense of loving intimacy. This is likely to become a victim of its own appeal, being as the paper stock is rather too flimsy to survive much contact with toddler hands. Still, a clear winner for sharing with audiences of one or dozens.
Guess how much you’ll be reading this. (Novelty. 18 mos.-3)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-3509-7
Page Count: 32
Publisher: Sourcebooks Wonderland
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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