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MAKE ME

From the Jack Reacher series , Vol. 20

Jack Reacher is still going strong. Will satisfy fans—and newcomers, too.

In this 20th installment of Child’s action series (Personal, 2014, etc.), Jack Reacher ends up in the wrong place at the wrong time—perfectly positioning him to unravel a missing person mystery and save the day.

Living on the road with his toothbrush in his pocket, ex-military policeman/all-around-hero Reacher is wending his way across the country by train when he alights at Mother’s Rest on a whim, curious about the origin of the name. Instead of the expected historical marker, he finds a bunch of unfriendly townspeople and ex-FBI agent/PI Michelle Chang, who's searching for a missing colleague. Drawn irrevocably to both Chang and the mystery, Reacher fights to uncover the truth behind Mother’s Rest—a truth that involves the so-called “Deep Web,” the dark undercover space of the Internet. Reacher and Chang traverse the country from Oklahoma to Chicago, Phoenix, Los Angeles, and San Francisco in their quest for answers. The final showdown reveals that the crimes of Mother’s Rest are more sinister and terrible than they ever imagined. Despite (or maybe because of) the expected Reacher-novel formula, this series remains as compulsively readable as ever. Child is a master of pacing, stretching out the mystery through short chapters that give rise to bursts of well-choreographed violence. Sentences are choppy, dialogue is fast, yet there is authenticity to Reacher’s world, too. While the mystery is rather shallowly sketched in between the fight sequences, the setting is effectively bland, and the ending makes one feel true horror at the ways of men. Of course, the biggest strength is Reacher himself: impassive, analytical, secretly romantic, and relentlessly honorable. It’s impossible not to root for him and his lady friend of the moment—and Chang, to be fair, is tough, if not multidimensional.

Jack Reacher is still going strong. Will satisfy fans—and newcomers, too.

Pub Date: Sept. 8, 2015

ISBN: 978-0-8041-7877-8

Page Count: 384

Publisher: Delacorte

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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