Twenty tasty morsels, served over easy.
A collection of short stories featuring the seedier side of life by one of the country’s best crime writers.
“Fabergé eggs they ain’t,” Child admits in the foreword, and he’s right. These are unfancy little eggs—to stretch the metaphor—that don’t overshadow his novels, and yet they satisfy our innate craving to read about other people’s failings and misadventures. Some of them end in twists that harken back to O. Henry, such as “Ten Keys,” where a drug-running escapade ends in a surprising way. It also has the book’s best line: “He was a white guy…the product of too many generations of inbred hardscrabble hill people, his DNA baked down to nothing more than the essential components, arms, legs, eyes, mouth.” “My First Drug Trial” is also like that, with a last line that pops off the page. In “The Bodyguard,” a guy is hired to protect a young woman who is the high-value target of a rich and prominent couple. A nice twist at the end makes the bodyguard doubt himself, and the reader might smile. And then, in “The Greatest Trick of All,” there’s a professional killer who can nail you from a thousand yards and thinks he can’t be stopped. Said “greatest trick” is getting paid twice for a hit, but in this case, he might be mistaken. Most of the stories won’t keep you on the edge of your seat, but they’re easy, brief explorations of the darker nooks and crannies of humanity. But one story takes a sad turn into the past: In “New Blank Document,” a freelancer is assigned to write a sidebar about the brother of a modestly accomplished Black American artist living in Paris. The crucial, heart-rending story has to do with the fate of a second brother not everyone knows about; think Jim Crow. Finally, the title tale features a narrator you’d never want to meet in real life.
Twenty tasty morsels, served over easy.Pub Date: Sept. 3, 2024
ISBN: 9781613165669
Page Count: 256
Publisher: Mysterious Press
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.
What would you do if you knew when you were going to die?
In the first page and a half of her latest page-turner, bestselling Australian author Moriarty introduces a large cast of fascinating characters, all seated on a flight to Sydney that’s delayed on the tarmac. There’s the “bespectacled hipster” with his arm in a cast; a very pregnant woman; a young mom with a screaming infant and a sweaty toddler; a bride and groom, still in their wedding clothes; a surly 6-year-old forced to miss a laser-tag party; a darling elderly couple; a chatty tourist pair; several others. No one even notices the woman who will later become a household name as the “Death Lady” until she hops up from her seat and begins to deliver predictions to each of them about the age they’ll be when they die and the cause of their deaths. Age 30, assault, for the hipster. Age 7, drowning, for the baby in arms. Age 43, workplace accident, for a 42-year-old civil engineer. Self-harm, age 28, for the lovely flight attendant, who is that day celebrating her 28th birthday. Over the next 126 chapters (some just a paragraph), you will get to know all these people, and their reactions to the news of their demise, very well. Best of all, you will get to know Cherry Lockwood, the Death Lady, and the life that brought her to this day. Is it true, as she repeatedly intones on the plane, that “fate won’t be fought”? Does this novel support the idea that clairvoyance is real? Does it find a means to logically dismiss the whole thing? Or is it some complex amalgam of these possibilities? Sorry, you won’t find that out here, and in fact not until you’ve turned all 500-plus pages. The story is a brilliant, charming, and invigorating illustration of its closing quote from Elisabeth Kübler-Ross (we’re not going to spill that either).
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.Pub Date: Sept. 10, 2024
ISBN: 9780593798607
Page Count: 512
Publisher: Crown
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
PERSPECTIVES
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