An enjoyable, fast-moving yarn.
Trouble could be Jack Reacher’s middle name in this 28th adventure in the series.
In Chicago in 1992, Roberta and Veronica Sanson throw a recovering heart-attack patient out a hospital window. Thus begins a series of murders the women commit as they try to get someone to answer an important question about an event that happened in December 1969. On the team investigating the murders is Capt. Jack Reacher of the military police. Previously, he had been demoted from the rank of major, but that is literally another story. Reacher is a strange man, “naturally suited to two states of existence. Instant, explosive action. And near-catatonic stasis. It was the in-between he struggled with.” Faster and smarter than any four bad guys, he’s a superhero who deserves to have an action figure in his likeness if one doesn't exist already. But he and his team have their hands full with the Sanson sisters, who are killers on a mission. Back in 1969, there had been a team of scientists working on a secret project, and the sisters demand to know the name of the eighth team member, who all the victims insist to their death does not exist. The investigative team is puzzled as they realize someone is picking off retired scientists one by one, and “former CIA assets start dropping like flies.” There are some interesting lines: When a high-ranking government official comes under suspicion, Reacher says, “This is America. The law applies to him the same as everyone else.” Readers who follow current events may find the statement pointed. And Roberta chastises a victim: “There you go. Underestimating a woman, again. Will you never learn?” The plot gets a bit complicated, and readers will find a few nice twists. But mainly, Reacher provides the entertainment with his not quite believable fighting skills.
An enjoyable, fast-moving yarn.Pub Date: Oct. 24, 2023
ISBN: 9781984818584
Page Count: 304
Publisher: Delacorte
Review Posted Online: Aug. 25, 2023
Kirkus Reviews Issue: Sept. 15, 2023
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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