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STALKING SHAKESPEARE by Lee Durkee

STALKING SHAKESPEARE

A Memoir of Madness, Murder, and My Search for the Poet Beneath the Paint

by Lee Durkee

Pub Date: April 18th, 2023
ISBN: 9781982127145
Publisher: Scribner

Diving into the mystery of Shakespeare’s identity.

During the many long winters he spent living in Vermont, essayist and fiction writer Durkee, encountering a host of different images of the lauded English bard, became obsessed with discovering what Shakespeare really looked like. Although neither an art historian nor literary scholar, Durkee became a determined, fearless researcher, hounding librarians, traveling to libraries—including the famed Folger collection in Washington, D.C.—and reading everything he could find about Shakespeare’s life and times, historical trends in portraiture, literary controversies about authorship, art historical debates, and the often scandalous world of the Elizabethan court. Durkee came to see his lack of expertise as a plus: “The dilettante works alone, a solitary figure, no colleagues to shock, no tenure at risk. Not only are we free to ask naive questions, there’s nobody around to tell us how things are supposed to be done.” Besides barraging librarians and museum personnel with questions, he conducted his own meticulous investigations, comparing facial anomalies in portraits, for example, by layering two portrait jpegs on top of each other. He examined X-rays of paintings with a magnifying glass, and he traced the provenance of purported likenesses of Shakespeare and many of his contemporaries. He also investigated the work of restorers. “My research,” he writes, “became something magical and demented, intuitive and haunted. In the end it changed the way I look at history, art, politics, and myself. It certainly changed the way I look at William Shakespeare.” Part of that magical aura apparently came from Adderall, which a sympathetic doctor prescribed for Durkee’s self-diagnosed ADHD. Durkee recounts his adventure with self-deprecating humor, which belies the seriousness of his project. “For the most part, Shakespeare ad vivum,” he writes ruefully, “has been a history of artistic con men and starry-eyed scholars.”

A lively report of a passionate quest that should appeal to any fan of the Bard.