An absorbing fantasy novel that delivers many satisfactions.
In French’s (Superheroes in Denim, 2016, etc.) fantasy novel, a young woman gains magical powers and sets out to avenge her slaughtered family.
For 18-year-old Fakhira at Aitrae Oasis in Ilauris, a fantasy world similar to ancient Arabia, the future looks simple: she’ll marry the man her father chose for her, a guardsman for Caliph Korval. But then her father’s rival Caliph Trimar’s forces attack the Oasis; Fakhira manages to hide, but her family is brutally murdered. On her way to sanctuary in Korval’s city, Kamrik, Fakhira falls through a crack in the ground into a pool of water. While she’s submerged, whispering voices address her as “Al-Kabar,” urge her to “Go forth and fight for freedom,” and give her a special sword. Using her new, magical powers, Fakhira plans to disguise herself as a man named Al-Kabar, join Korval’s army, and attack Trimar. She soon rescues a thin young man called Tahjis the Rat from thugs in Kamrik. He sees through Al-Kabar’s disguise but makes a deal to help her. Soon she gets close to Korval and gains his confidence, but she discovers that avenging her family is more complex than she thought, with innocent lives in the balance and more factions vying for power than she’d realized. But if she gets it right, Tahjis’ prediction may come true: that “The time of greedy, power-hungry men leading our people is over. The time of the Al-Kabar has come.” French offers an intriguingly layered world in this novel, taking what could be a simple revenge story and making it far more engaging by considering such things as unintended consequences and competing interests. Her worldbuilding is three-dimensional and subtly realized; for example, Fakhira’s culture, while clearly patriarchal, is also matrilocal. French’s voice is strong and vivid, never succumbing to the overwrought style that often plagues other fantasy books; the dialogue, too, is natural and unstilted. The unpredictable plot features some plans that work and others that fail, and it moves at a fast clip, nicely weaving in romantic elements between the battle scenes.
An absorbing fantasy novel that delivers many satisfactions.Pub Date: Aug. 30, 2015
ISBN: 978-1-68063-032-9
Page Count: 356
Publisher: Myrddin Publishing Group
Review Posted Online: July 15, 2016
Kirkus Reviews Issue: Sept. 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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