The novel is whimsical, erotic and comic all at the same time, and Ponce de León is revealed as an exuberant, self-indulgent...
The “incredibly old man” of the title is none other than Juan Ponce de León, who (in Siegel’s take) did discover the Fountain of Youth, lived through tumultuous historical times and died in 2006.
The conceit of this novel from Siegel (Who Wrote the Book of Love?, 2005, etc.) is that Ponce de León contacts a writer of indifferent gifts named Lee Siegel to pen his memoirs, for the Spanish explorer hasn’t written anything of note since his last logbook entry in 1513. Siegel takes on the formidable task, meanwhile trying to decide whether de León is fraudulent, authentic or crazy. The narrative is divided into historical sections beginning in 1465 and ending with a coda in 2006. Along the way we become acquainted with the subject’s life: his background as a “converso” (or converted Jew); his being dispatched to the New World in search of the Fountain of Youth; his invention of cigars and rum and discovery of popcorn; his taking on the guise of a priest but later dedicating the first synagogue in Florida; his later years as an actor and land speculator. But he recounts with even greater zest the catalogue of his lovers—and over the course of some 540 years this list is impressive. Starting out with Queen Ysabel la Católica and running into the 20th century, de León whores and debauches his way through some 30 or more lovers. (In later life he makes an alphabetical catalogue he runs through to help him get to sleep at night.) He does point out, however, that he got married only five times, an average of once per century. Throughout the novel, a comic discrepancy exists between de León, who wants to be memorialized in a particular way, and Siegel, who does his best but is constantly subject to de León’s refinements, criticisms and (occasionally) contempt.
The novel is whimsical, erotic and comic all at the same time, and Ponce de León is revealed as an exuberant, self-indulgent and crusty old guy.Pub Date: April 25, 2008
ISBN: 978-0-226-75705-6
Page Count: 240
Publisher: Univ. of Chicago
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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