Always colorful, sometimes predictable and at its best profoundly moving.
Prolific novelist Smith (On Agate Hill, 2006, etc.) offers 14 stories, most circling issues of class in the contemporary South.
“Bob, A Dog,” about a sweet woman dumped by her educated husband, sets the tone: Highfalutin’ Yankees and earthy Southerners don’t mix well. In “Ultima Thule,” the Dixie-born wife is the transgressor, betraying her oversensitive Northern husband. Not only Yankees but also bourgeois Southerners lack the spirit of Smith’s hardscrabble heroines, who fight constant battles to survive and maintain their dignity. In “Big Girl,” even the arresting authorities sympathize with Dee Ann, who has committed a crime “in the name of love” for a worthless man. Each heroine with bad taste but a heart of gold seems charmingly colorful on her own—readers understand why the businessman in “Intensive Care” sacrifices his respectability for a waitress who offers the joyful love his buttoned-down wife can’t—but lumped together, the women edge toward stereotype. The town of Salt Lick is full of them in “Between the Lines.” The clueless narrator of “The Southern Cross” is too clichéd and lame-brained to take seriously as she describes a weekend cruise with her married boss. And “Fried Chicken,” about a murderer’s pathetic mother, reads like an exercise in politically correct sentimentality. However, Smith can strike deep. In “House Tour,” both Yankee academics and their elderly Southern visitors defy stereotypes and expectations. The previously unpublished “Stevie and Mama” is the volume’s standout. A woman discovers that her husband, the love of her life, may have had an affair years ago. The hard-earned clarity she reaches while deciding whether to confront him is nuanced and true. After this freshly detailed, deeply satisfying work, the cute twist ending of the final story, concerning the widowed Mrs. Darcy and children who should take her more seriously, is quite a letdown.
Always colorful, sometimes predictable and at its best profoundly moving.Pub Date: March 23, 2010
ISBN: 978-1-56512-915-3
Page Count: 304
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2009
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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